Tag Archives: kiri

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 23

Round Eleven

Left

さをしかの空にあはれときこゆるは山のたかねになけばなりけり

saoshika no
sora ni aware to
kikoyuru wa
yama no takane ni
nakeba narikeri
A stag belling
To the skies, sadly
I hear—
Perhaps, because ‘tis on the mountain’s peak
He cries so…

Lord Masahira

45

Right (Win)

ゆふまぐれ霧のまがきのさびしさにをしか鳴くなり秋の山里

yūmagure
kiri no magaki no
sabishisa ni
oshika nakunari
aki no yamazato
Tangled in twilight
With mist around my brushwood fence,
Loneliness fills me, as
A stag bells, by
A mountain retreat in autumn

Shinkaku
46

What on earth is the conception of ‘sadly hearing something in the skies’? While no one can truly know why a stag bells, what is the point of saying that ‘sadness is in the skies’? And if one does hear it, it isn’t the case that anyone really knows that the stag is belling out of longing for his mate, is it. The stag seeming to bell by a brushwood fence in the mist, seems to sound a bit more moving at the moment.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 09

Round Nine

Left (Win)

女郎花いづれの秋かみえざりし野原の霧に立ちなかくれそ

ominaeshi
izure no aki ka
miezarishi
nohara no kiri ni
tachi na kakure so
O, maidenflower,
In which autumn is it, that
You have remained unseen?
In the mists upon the meadow
Stand and don’t hide yourself!

Kataoka Shrine Priest Kamo no Masahira
17

Right

心から夜のまの露にしほたれてあさじめりする女郎花かな

kokoro kara
yo no ma no tsuyu ni
shiotarete
asajimerisuru
ominaeshi kana
Her heart
Throughout the night with dewdrops
Drenches her,
Dripping with morning tears is
The maidenflower!

Fujiwara no Koreyuki, Supernumerary Junior Assistant Minster of the Sovereign’s Household
18

The Left is extremely absorbingly composed. As for the Right, though, I wonder about the use of being ‘drenched with dewdrops’—while it does put me in mind of fisherfolk at Ise, because it fails to indicate anything in the conception of the topic, it should lose, I think.

Teiji’in tenjōbito uta’awase 02

Left

あかずしてわかれにしかばあまのがはこひしきせのみおもほゆるかな

akazushite
wakarenishikaba
ama no gawa
koishiki se nomi
omohoyuru kana
Unsatisfied
Have they parted, so
At the River of Heaven’s
Rapids, their loving meeting alone
Does fill their thoughts!

3

Right (Win)

たなばたのまれにあふよのしののめのみえぬばかりぞきりはふらまし

tanabata no
mare ni au yo no
shinonome no
mienu bakari zo
kiri wa furamashi
The Weaver Maid
Has but a rare night’s meeting, so
At the edge of dawn
That it simply not be seen
She wishes for the fog to fall.

4

Hon’in sadaijin-ke uta’awase 07

Marlberry

Left

あさごとにきりはふれどもあしひきのやまたち花はいろもかはらず

asa goto ni
kiri wa furedomo
ashihiki no
yamatachibana wa
iro mo kawarazu
With every morning
The mist rolls down, yet on
The leg-wearying
Mountains, the marlberry’s
Hues remain unchanged.

13

Right

みねだにやすみうくならんあしひきのやまたち花のみやまゐをせる

mine dani ya
sumi’ukunaran
ashihiki no
yamatachibana no
miyamai o seru
Does even the peak
Seem so hard to dwell upon?
The leg-wearying
Mountain marlberry has
Turned the hidden spring a darker hue.

14

Sahyōe no suke sadafumi uta’awase 6

The Beginning of Autumn

Left (Win—in a certain book Tie)

しぐれにもあめにもあらぬはつぎりのたつにもそらはさしくもりけり

shigure ni mo
ame ni mo aranu
hatsugiri no
tatsu ni mo sora wa
sashikumorikeri
Neither a shower
Nor rain,
The first mists
Simply rise into the skies
And cover all with cloud.

11

Right

としごとにあふとはすれどたなばたのぬるよのかずぞすくなかりける

toshi goto ni
au to suredo
tanabata no
nuru yo no kazu zo
sukunakarikeru
Every year
She meets him, yet
The Weaver Maid’s
Nights of passion
Are few indeed.

Mitsune
12

MYS III: 257

A poem on Mount Kagu by Kamo no Taruhito.

天之芳来山 霞立 春尓至婆 松風尓 池浪立而 櫻花 木乃晩茂尓 奥邊波 鴨妻喚 邊津方尓 味村左和伎 百礒城之 大宮人乃 退出而 遊船尓波 梶棹毛 無而不樂毛 己具人奈四二

天降りつく 天の香具山 霞立つ 春に至れば 松風に 池波立ちて 桜花 木の暗茂に 沖辺には 鴨妻呼ばひ 辺つ辺に あぢ群騒き ももしきの 大宮人の 退り出て 遊ぶ船には 楫棹も なくて寂しも 漕ぐ人なしに

amorituku
ame no kaguyama
kiri tatu
paru ni itareba
matukaze ni
ikenami tatite
sakurabana
ko no kuresige ni
okipe ni pa
kamo tuma yobapi
petupe ni
adi murasawagi
momosiki no
opomiyabito no
makaridete
asobu pune ni pa
kadisawo mo
nakute sabusi mo
kogu pito nasi ni
Descended from heaven is
Sacred Mount Kagu where
Mists arise
When the spring does come,
The wind through the pines
Raises waves from pond waters, and
Cherry blossom’s
Profusion shades the trees, while
Out in the offing,
Ducks call for a mate and
On the shore
Teals flock noisily;
Hundredfold,
The palace folk were wont to
Travel out
On pleasure boats, but
Oars and poles
Are there none—so sad—
For there’s not a soul to row them…

MYS V: 839

波流能努尓 紀理多知和多利 布流由岐得 比得能美流麻提 烏梅能波奈知流

春の野に霧立ちわたり降る雪と人の見るまで梅の花散る

paru no no ni
kiri tatiwatari
puru yuki to
pito no miru made
ume no pana tiru
In the springtime meadows
Filled with spreading mist,
As falling snow
To folk’s eyes appears
The scattering plum blossom.

Denshi no Makami, Clerk of Chikuzen
筑前目田氏真上

Teishi-in ominaeshi uta’awase 18

をみなへしあきののをわけをりつればやどあれぬとてまつむしぞなく

ominaeshi
aki no no o wake
oritsureba
yado arenu tote
matsumushi zo naku
O, maidenflower,
Through the autumn meadows did I press
To pick you, so
My home has gone to ruin where
The pine crickets sing.

Yasuki
35

むしのねになきまどはせるをみなへしをればたもとにきりのこりゐる

mushi no ne ni
naki madowaseru
ominaeshi
oreba tamoto ni
kiri nokori’iru
The insects’ cries
With her sobs are confused, that
Maidenflower,
I pluck her, and within my sleeve
Traces of the mists do linger.

Amane
36

Teishi-in ominaeshi uta’awase 03

Left

あきごとにさきはくれどもをみなへしけふをまつとのなにこそありけれ

aki goto ni
saki wa kuredomo
ominaeshi
kyō o matsu to no
na ni koso arikere
Every single autumn
Does her time to bloom arrive, yet
This maidenflower
Has been waiting for this day
Or so the rumour goes!

5[1]

Right

さやかにもけさはみえずやをみなへしきりのまがきにたちかくれつつ

sayaka ni mo
kesa wa miezu ya
ominaeshi
kiri no magaki ni
tachikakuretsutsu
Clearly
This morning I cannot glimpse
That maidenflower
In the mists along the brushwood fence
Ever does she hide herself away.

6[2]


[1] Shinsen man’yōshū 518

[2] Shinsen man’yōshū 540