Tag Archives: ame

Winter I: 20

Left.

誰も見よこれはみぞれの空ならん散來る花は雨や交りし

tare mo miyo
kore wa mizore no
sora naran
chirikuru hana wa
ame ya majirishi
Behold, one and all!
This is a sleet-filled
Sky, indeed!
Flowers falling,
Mixed with rain?

Lord Suetsune.

519

Right (Win).

風渡る花のあたりの春雨は冬の空にもありける物を

kaze wataru
hana no atari no
harusame wa
fuyu no sora ni mo
arikeru mono o
The breeze blows
Around the blossom
In spring showers;
The winter skies, too,
Have such things…

Nobusada.

520

The Right wonder about the appropriateness of ‘mixed’ (majirishi). The Left complain that the Right’s poem ‘does not contain an expression from the topic [dai no ji]’ and wonder about the appropriateness of this in a poetry competition.

Shunzei’s judgement: ‘This is a sleet-filled sky, indeed!’ (kore wa mizore no sora naran) is charming, but the latter section of the poem, saying that blossoms fall during a shower is quite pedestrian [tsune no koto ni aran]. I also wonder about the appropriateness of ‘mixed with rain?’ (ame ya majirishi) as a choice of poetic diction [uta kotoba]. Having ‘Around the blossom in spring showers’ (hana no atari no harusame wa), and then ‘The winter skies, too, have such things…’ (fuyu no sora ni mo arikeru mono o) is extremely charming. Even without the explicit reference to the topic, one can certainly glimpse the sleet. The Right should win.

GSIS XVII: 1015

Composed in the conception of the poem in the Baishi Wenji – ‘the sound of rain striking my window in the desolate darkness’.

戀しくは夢にも人を見るべきを窓うつ雨に目をさましつゝ

koFisiku Fa
yume ni mo Fito wo
mirubeki wo
mado utu ame ni
me wo samasitutu
Longingly,
Even in a dream
I would see her, but
Rain beating ‘gainst my window
Keeps me from my sleep…

Senior Assistant Governor-General Takatō

Autumn II: 3

Left.

秋の夜は窓打つ雨に夢覺めて軒端にまさる袖の玉水

aki no yo wa
mado utsu ame ni
yume samete
nokiba ni masaru
sode no tamamizu
On an autumn night
Rain beating ‘gainst my widow
Wakes me from my dreams,
Falling from the eaves,
Yet many more are the droplets on my sleeves.

Lord Ari’ie.

365

Right.

見る夢も窓打つ雨に驚きて枕に秋の哀をぞ知る

miru yume mo
mado utsu ame ni
odorokite
makura ni aki no
aware o zo shiru
Dreaming,
Rain beating ‘gainst my window
Starts me awake;
Upon my lonely pillow, autumn’s
Sharp sadness do I feel.

The Provisional Master of the Empress’ Household Office.

366

Neither team has any criticisms of the other’s poem this round.

Shunzei agrees: ‘Both poems are superb in both style and form and, in addition, the initial sections are generally similar, but in terms of the concluding sections, the Left’s is slightly deeper. Thus, the Left wins.’

Autumn I: 23

Left (Win).

ひとり寢る葦の丸屋の下露に床を傡べて鶉鳴く也

hitori nuru
ashi no maruya no
shimo tsuyu ni
toko o narabete
uzura nakunari
Sleeping singly
In a reed-roofed hut,
Dripped with dew,
Beside my bed
The quails are crying.

A Servant Girl.

345

Right.

秋風に靡く尾花の夕露や鶉が閨の雨と散るらむ

akikaze ni
nabiku obana no
yūzuyu ya
uzura ga neya no
ame to chiruramu
In the autumn breeze
Flutter fronds of silvergrass,
Scattering dewdrops
On the quails’ roost –
How like rain…

The Provisional Master of the Empress’ Household Office.

346

The Right state that the Left’s poem has no faults. The Left state that, ‘“On the quails’ roost – how like rain” (uzura ga neya no ame) suggests that this is what it actually is.’

Shunzei disagrees: ‘It is not the case that uzura ga neya no ame definitely implies that it is actually rain, particularly with the scene set by dew on silvergrass. However, “beside my bed” (toko o narabete) is particularly attractive in expression. It should win.’

Spring III: 23

Left (Win).

雨そゝく池の浮草風こえて浪と露とにかはづ鳴くなり

ame sosoku
ike no ukikusa
kaze koete
nami to tsuyu to ni
kawazu nakunari
Rain drifts down
Upon the duckweed in the pond,
Driven by the wind
Among wavelets and dewfall
The frogs are calling.

A Servant Girl.

165

Right.

庭の面はひとつに見ゆる浮草をこゝぞ汀とかはづ鳴なり

niwa no omo wa
hitotsu ni miyuru
ukikusa o
koko zo migiwa to
kawazu nakunari
The garden’s face
Seems as one
With the duckweed;
‘Here lies the water’s edge,’
The frogs are calling…

Jakuren.

166

Neither Right nor Left has any particular remarks to make about the other’s poem this round.

Shunzei says, ‘Both poems are splendid in form, but the Left’s ‘among the wavelets and dewfall’ (nami to tsuyu to ni) is particularly pleasing. It must win.

SKS VII: 207

A boy at the Mii Temple had promised to let him know if he came to the capital; although he heard that the boy was there, when he did not come to visit him, he sent him the following:

かげみえぬ君は雨夜の月なれやいでゝも人にしられざりけり

kage mienu
kimi Fa amayo no
tuki nare ya
idete mo Fito ni
sirarezarikeri
Unseen is the brightness of your face ?
Are you as a rain-filled night’s
Moon, perhaps?
Emerging, yet to folk
Not letting on!.

Bishop Kakuga (1090 – 1146)