saki sakazu yoso nite mo mimu yamazakura mine no shirakumo tachi na kakushi so
Whether they blossom, or blossom not In the distance would I gaze Upon the mountain cherries, so O, clouds of white around the peaks, Do not rise to conceal them!
shirakumo no tatsu ka to miyuru sakurabana yama no ma mo naku chiri ya kauran
‘Have clouds, so white, Arisen?’ I wonder, beholding Cherry blossom, but Might the mountains, so swiftly, With their scattering, change?
14
[i] This poem is included in Shūishū (I: 38), as an anonymous poem with the headnote ‘From a palace poetry match held in Tenryaku 9’. It is also included in Shūishō (I: 23) as an anonymous poem with the headnote ‘From a palace poetry match held on the 29th day of the Third Month, Tenryaku 9’.
When I had gone to a place called the Kawara Mansion with friends to view the plum blossom, and there was no plum blossom there, only the distant sight of cherry.
春霞たちななよりそうすくこき錦とみゆる山のさくらに
harugasumi tachi na na yori so usu koki nishiki to miyuru yama no sakura ni
O, haze of spring, Arise not and cover not, Either thick or thin, The seeming brocade of Cherry o’er the mountains…
saohime no ito somekakuru aoyagi o fuki na midari so haru no yamakaze
Princess Sao Has dyed the dangling threads of Green willow— O, don’t blow them into tangles, Spring breeze from the mountains!
Kanemori 6
Warblers should have appeared here, but this is a poem about willows, so it loses.
しろたへの雪ふりやまぬ梅がえにいまぞうぐひす花となくなる
shirotae no yuki furiyamanu ume ga e ni ima zo uguisu hana to nakunaru
White as mulberry cloth The snow falls unceasing— Upon the branch of plum, Now, indeed, the warbler, Sings of the blossom!
Kanemori 7
Despite the mistaken composition, His Majesty required the original poem and it was located and recited.
Lord Hiromasa, the Reciter for the Right, mistakenly recited the willow poem. The Left raised an objection, saying, ‘He should have recited the warbler poem but, instead, erroneously recited the willow poem. Should he really be allowed to recite the correct poem now?’ The substance of the Left’s objection was conveyed to His Majesty, who instructed, ‘Provide a report based on prior precedent.’
This minor official advised His Majesty, ‘The Left’s objection is not unreasonable. However, matters such as this are best determined according to the circumstance of the occasion. As this was simply human error, why discriminate against the poem?’
Thus, His Majesty ordered that the poem be recited.
When he did so, Lord Hiromasa turned pale and was unable to recite the poem straight away. Although he finally managed to do so, his voice trembled and the Left laughed at him. Furthermore, the poem’s diction contained the nonsensical expression ‘sings of the blossom’, and thus this was still a loss.
[i] An allusive variation on: A poem from the Empress’ poetry competition held in the Kanpyō period. 花の香を風のたよりにたぐへてぞ鶯さそふしるべにはやる hana no ka o / kaze no tayori ni / taguete zo / uguisu sasou / shirube ni wa yaru ‘The blossoms’ scent / Messaged on the breeze / Brings / An invitation to the warbler / To try and bring him forth!’ Ki no Tomonori (Kokinshū I: 13)
[ii] This poem was included in Gyokuyōshū (I: 42), attributed to Asatada, with the headnote ‘On warblers, from the Palace Poetry Match in Tentoku 4’.
toshi goto ni kitsutsu wa ga miru sakurabana kasumi mo ima wa tachi na kakushi so
Every single year I hear of and gaze upon Cherry blossom: The haze, too, now Arising, don’t hide them!
Nakatsukasa
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The Left’s poem is extremely charming – that really is how things are.
The Right’s poem: where is it that you always hear of and then see them? This is a bit rough. There’s also no reason to include the expression ‘now’ here. Thus, the Left wins.
[1] A variant of this poem was later included in Shūishū (I: 66).
From a poetry match held during the reign of the Tenryraku Emperor.[i]
あしひきの山がくれなるさくら花ちりのこれりと風にしらるな
asiFiki no yamagakure naru sakurabana tirinokoreri to kaze ni siraru na
Within the leg-wearing Mountains concealed, O, cherry blossom, That you linger and not scatter, I would not have the wind discover!
Shōni no myōbu 少弐命婦
[i] The poetry match in question is Dairi uta’awase – Tentoku yo-nen (‘Palace Poetry Match – Tentoku 4’; 960), held by Emperor Murakami 村上 (924-967; r. 946-967). The poem in the match is slightly different.
karibito no toyama o komete yakishi yori shita moe’izuru nobe no sawarabi
Since hunters All the nearby mountains Have burned Budding beneath is Fresh bracken in the meadows.
Sagami 9
Right (Win)
花をだにをりてかへらんさわらびはをぎのやけのにいまぞおひいづる
hana o dani orite kaeran sawarabi wa ogi no yakeno ni ima zo oi’izuru
At least some blossom Let us pick and then return! Fresh bracken On the burned plain of cogon grass Is now a’sprouting!
Jijū no menoto 10
‘Fresh bracken’ is something which folk of old referred to in various ways, and the latter poem is in keeping with this. ‘At least some blossom / Let us pick and then return!’ is an extremely charming mental image, if one had simply seen it budding, one would wonder why the poet has not sought out some other location before returning home. Moving on to ‘Since hunters / All the nearby mountains’, this is an overly hackneyed, and thus distasteful, expression like ‘on eastern roads’, so the latter poem is superior, isn’t it.
