Left
たまくしげ二上山のほととぎす今ぞあけくれなきわたるなる
tamakushige futakamiyama no hototogisu ima zo akekure nakiwataru naru On the jewelled comb of Futakami Mountain The cuckoos Now, indeed, both night and day Do fill with their constant song.
78
Right
時鳥のちのさ月もありとてやながくうづきをすぐしはてつる
hototogisu nochi no satsuki mo ari tote ya nagaku uzuki o sugushihatetsuru O, cuckoo! A further Fifth Month There is, so Leisurely, the Fourth Month Have you completely spent?
79
Left (Tie)
むらさきにあふみづなれやかきつばたそこのいろさへかはらざるらむ
murasaki ni au mizu nare ya kakitsubata soko no iro sae kawararuramu Violet Suits the water here! Irises The hues beneath Seem to have changed.
Mitsune 45
Right
ほととぎすこゑのみするはふくかぜのおとはのやまになけばなりけり
hototogisu koe nomi suru wa fuku kaze no otowa no yama ni nakeba narikeri A cuckoo’s Call alone upon The gusting wind; Wingbeats sound on Otowa Mountain Where he does sing.
46
Left (Tie)
ふくかぜにとまりもあへずちるときはやへやまぶきのはなもかひなし
fuku kaze ni tomari mo aezu chiru toki wa yaeyamabuki no hana mo kainashi The gusting wind Does never cease, so Scattering time has come upon The eightfold kerria Blooms—so little good they are!
Okikaze 35
Right
をしめどもたちもとまらずゆくはるをなこしのやまのせきもとめなむ
oshimedomo tachi mo tomarazu yuku haru o nakoshi no yama no seki mo tomenamu How I regret it, yet Cannot halt the departure of Parting spring— O, that Nakoshi Mountain’s Barrier would hold it!
Tsurayuki 36
Left (Win)
めにみえでかぜはふけどもあをやぎのなびくかたにぞはなはちりける
me ni miede kaze wa fukedomo aoyagi no nabiku kata ni zo hana chirikeru Unseen by my eyes The wind does blow, yet The green willow Bends toward The scattering blossom.
Mitsune 25
Right
あしひきのやまぶきのはなさきにけりゐでのかはづはいまやなくらむ
ashihiki no yamabuki no hana sakinikeri ide no kawazu wa ima ya nakuramu Leg-wearying Mountain kerria flowers Have bloomed; In Ide will the frogs Now be a’singing?
Okikaze 26[i]
‘The Right is old-fashioned,’ and so it lost.
[i] Despite Uda’s negative opinion of it, this poem is included in Shinkokinshū (II: 162), attributed to Okikaze, with the headnote, ‘A poem from the Poetry Contest held by Former Emperor Uda in Engi 13’.
Marlberry
Left
あさごとにきりはふれどもあしひきのやまたち花はいろもかはらず
asa goto ni kiri wa furedomo ashihiki no yamatachibana wa iro mo kawarazu With every morning The mist rolls down, yet on The leg-wearying Mountains, the marlberry’s Hues remain unchanged.
13
Right
みねだにやすみうくならんあしひきのやまたち花のみやまゐをせる
mine dani ya sumi’ukunaran ashihiki no yamatachibana no miyamai o seru Does even the peak Seem so hard to dwell upon? The leg-wearying Mountain marlberry has Turned the hidden spring a darker hue.
14
Bush clover
Left
しかのこゑたかさごやまのはぎなればをりてこしよりねをやなくらん
shika no koe takasagoyama no hagi nareba oritekoshi yori ne o ya nakuran A stag’s cry On Takasago Mountain, where Lies bush clover: Might someone have come and picked her That he lets out such cries?
11
Right
あきはぎの花のながるるかはのせにしがらみかくるしかのねもせぬ
akihagi no hana no nagaruru kawa no se ni shigarami kakuru shika no ne mo senu Autumn bush clover Blooms flow down The river rapids and Hang upon the lattice weir, and The stag cries not at all…
12
When he was together with the Cloistered Emperor [Uda], gazing the Yoshino waterfall.
何時の間に降り積もるらんみ吉野の山の峡より崩れ落つる雪
itu no ma ni Furitumoruran miyosino no yama no kaFi yori kudure’oturu yuki How swiftly It does seem to fall From fair Yoshino’s Mountain passes: The snow comes a’tumbling down.
Minamoto no Noboru
The End of Winter
Left
したぎえのゆきまをみればふゆながらはるのけちかきここちこそすれ
shitagie no yukima o mireba fuyu nagara haru no kechikaki kokochi koso sure Melting below, Gaps in the snow, I see, so Though ‘tis yet winter Spring’s sensation closer Comes, I feel!
19
Right (Win)
みよしののやまのしらゆきつもるらしふるさとさむくなりまさるなり
miyoshino no yama no shirayuki tsumorurashi furusato samuku narimasaru nari On fair Yoshino Mountain white snow fall Drifts high, it seems, For in this ancient place the chill Grows ever stronger.
Korenori 20
The End of Autumn
Left
あきやまはからくれなゐになりにけりいくしほしぐれふりてそめけむ
akiyama wa karakurenai ni narinikeri iku shioshigure furitesomekemu The autumn mountains To Cathay scarlet Have turned; How many dippings with drizzle Have fallen to dye them so?
15
Right (Win)
さほやまのははそのもみぢうすけれどあきはふかくもなりにけるかな
saoyama no hahaso no momiji usukeredo aki wa fukaku mo narinikeru kana On Sao Mountain The oak trees autumn leaves Are pale in hue, yet Most deep has autumn Become!
Korenori 16
Left
Mibu no Tadamine Ariwara no Motokata Taira no Sadafun
Right
Sakanoue no Korenori Ki no Tsurayuki Ōshikōchi no Mitsune
The Beginning of Spring
Left (Tie)
はるたつといふばかりにやみよしののやまもかすみてけさはみゆらむ
haru tatsu to iu bakari ni ya miyoshino no yama mo kasumite kesa wa miyuramu Spring is here They simply say, but Is fair Yoshino Mountain, too, all hazed In view this morning, I wonder?
Tadamine 1
Right
はるたちてなほふるゆきはむめのはなさくほどもなくちるかとぞみる
haru tachite nao furu yuki wa mume no hana saku hodo mo naku chiru ka to zo miru Spring is here, yet Still the snow falls—does, as Plum blossoms’ Brief flowering then Scattering, it truly seem?
Mitsune 2
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'Simply moving and elegant'