Tag Archives: hue

Yasuakira shinnō tachihaki no jin uta’awase 09

しらつゆはまだふたたびもおかなくにつきのかつらのいろかはるらむ

shiratsuyu wa
mada futatabi mo
okanaku ni
tsuki no katsura no
iro kawaruramu
If only silver dewdrops
Again, once more
Would not fall, for
The moon’s silver trees’
Hue they seem to change…

Fujiwara no Tsurayasu
17

Sumiyoshi-sha uta’awase kaō ni-nen 17

Left (Tie)

月さゆるつもりのうらのみづがきはふりしくゆきにいろもかはらず

tsuki sayuru
tsumori no ura no
mizukaki wa
furishiku yuki ni
iro wa kawarazu
The moon, so chill, shines
Upon the Bay of Tsumori,
Where the honored sacred grounds,
Spread with fallen snow
Remain unchanged in hue.

Taifu, in service to the Former Ise Virgin[i]
33

Right

あらしふくまつのこずゑにきりはれてかみもこころやすみのえの月

arashi fuku
matsu no kozue ni
kiri harete
kami mo kokoro ya
suminoe no tsuki
The storm wind blows
Across the treetops of the pines,
Clearing the mists away—
I wonder, is the Deity’s heart at
Suminoe beneath the moon?

Lord Fujiwara no Sadanaga
Junior Assistant Minister of Central Affairs
Exalted Fifth Rank, Lower Grade[ii]
34

The Left’s poem appears to be about chill fallen snow spread upon Tsumori Bay, so in saying that the waters bounding the sacred grounds cannot conceal the hue, it appears to be saying that the moon’s light is white, but I wonder if the diction is a bit insufficient to convey this? It seems to me that it simply says that although snow has fallen on the waters bounding the sacred grounds, their hue has not changed—doesn’t it? As for the Right’s poem, I can say that its conception and configuration are pleasant, but it begins with ‘the storm wind blows’ and one cannot say ‘storm wind’ along with ‘beach pines’. One can understand this based on the poem ‘Yes, the mountain wind / Is aptly named “Storm”‘. Still, the poem’s configuration does appear pleasant. Again, I make this a tie.


[i] Zen-saigū no Taifu 前斎宮大輔

[ii] Jūgoige-gyō nakatsukasa no shō Fujiwara ason Sadanaga 従五位下行中務少輔藤原朝臣定長

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 48

Round Twelve

Left (Tie)

柞原しぐれにそむるくれなゐはこずゑの風や吹きてほすらん

hahasowara
shigure ni somuru
kurenai wa
kozue no kaze ya
fukitehosuran
The oak groves by
The showers are dyed
With scarlet—
Might the wind through the treetops,
Gusting, bring dryness?

Shinkaku
95

Right

紅葉ばは入日の影のさしそひてゆふくれなゐの色ぞことなる

momijiba wa
irihi no kage no
sashisoite
yūkurenai no
iro zo kotonaru
The autumn leaves
By sunset’s light
Are struck, and
Evening’s scarlet
Hue is startlingly fine!

Lay Priest Norinaga
96

In the Left’s poem I would want there to be an expression such as ‘robe’ or ‘brocade’ which is being blown. As for the Right, it lacks any unusual diction, but has no noticeable faults, so these should tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 40

Round Four

Left (Win)

色ふかきやしほの岡の紅葉ばに心をさへもそめてけるかな

iro fukaki
yashio no oka no
momijiba ni
kokoro o sae mo
sometekeru kana
Deep the hues
On Yashio Hill
Of the scarlet leaves—
Even my heart, too,
Have they dyed!

Lord Yorisuke
79

Right

しぐれつつ秋こそふかく成りにけり色どりわたるやのの神山

shiguretsutsu
aki koso fukaku
narinikeri
irodori wataru
yano no kamiyama
With constant showers
Autumn has, indeed, deeper
Grown;
A change of hue all across
Sacred Mount Yano.

Lord Michiyoshi
80

While the Left sounds well-worn, it flows smoothly. As for the Right, it sounds to me as if the poet has simply picked and placed a location from the Collection of a Myriad Leaves into his poem, so ‘a change of hue all across sacred Mount Yano is stylistically archaic—thus the Left wins.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 07

Round Seven

Left (Win)

萩がはな分けゆく程は古郷へかへらぬ人もにしきをぞきる

hagi ga hana
wakeyuku hodo wa
furusato e
kaeranu hito mo
nishiki o zo kiru
When through the bush-clover blooms
He forges his way,
To his ancient home
Never to return—that man, too,
Wears a fine brocade!

Minamoto no Arifusa, Minor Captain in the Inner Palace Guards, Right Division

13

Right

声たてて鳴くむしよりも女郎花いはぬ色こそ身にはしみけれ

koe tatete
naku mushi yori mo
ominaeshi
iwanu iro koso
mi ni wa shimikere
They lift their songs in
Plaintive cries, but far more than the insects
‘Tis the maidenflower’s
Wordless hue that truly
Pierce my soul!

Junior Assistant Minister of Central Affairs Sadanaga
14

The Left is well-composed, but what is the Right’s ‘wordless hue’? Are we supposed to imagine that the expression means ‘silent yellow’? This is difficult to grasp, isn’t it. Whatever way you look at it, the Left seems to win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 06

Round Six

Left (Tie)

むつごともいはまほしきを女郎花くちなし色のつらくもあるかな

mutsugoto mo
iwamahoshiki o
ominaeshi
kuchinashi iro no
tsuraku mo aru kana
A lover’s whisper is
What I wish you’d say to me,
O, maidenflower, but
Your silent yellow hue
Is cruel, indeed!

Minamoto no Moromitsu, Supernumerary Master of the Right Capital Office
11

Right

女郎花はなの心はしらねども名をきくにこそをらまほしけれ

ominaeshi
hana no kokoro wa
shiranedomo
na o kiku ni koso
oramahoshikere
O, maidenflower,
A flower’s heart,
I cannot know, yet
Simply on hearing your name,
How I wish to pick you!

Hōribe no Narinaka, Hiyoshi Shrine Priest
12

The Left is charming. However, would a flower which is not ‘silent yellow’ be saying something? It’s more common to say that flowers say nothing. Even so, this is not a profound fault, so it’s better to evaluate this poem as charming. The Right is elegantly composed—saying ‘simply on hearing your name’, just sounds skillful, so it’s impossible for me to state a winner or loser this round.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 03

Round Three

Left

女郎花露もわきてやおきつらんしほれ姿のあてにも有るかな

ominaeshi
tsuyu mo wakite ya
okitsuran
shioresugata no
ate ni mo aru kana
Upon the maidenflowers
Might the dew discriminate
In its falling?
For its dampened form
Is so fine!

Lord Minamoto no Michiyoshi, Minor Captain of the Inner Palace Guards, Right Division
5

Right (Win)

もも草の花もあだにやおもふらんひと色ならずうつす心を

momokusa no
hana mo ada ni ya
omouran
hito iro narazu
utsusu kokoro o
A multitude of grasses
Blooms: do they play me false
Should I think?
For not to one hue alone
Is my heart drawn…

Kojijū, Court Lady to Her Majesty
6

The Left, by saying ‘Might the dew discriminate / In its falling?’ seems to want to describe the way that the flowers’ colours become deeper or fainter. It is not appropriate, however, to use ‘dampened form’ in this way. Furthermore, saying something ‘seems fine’ lacks elegance, doesn’t it. The Right does not lack the conception of the topic, so it should win.

MYS X: 2182

比日之 暁露丹 吾屋前之 芽子乃下葉者 色付尓家里

このころのあかときつゆにわがやどのはぎのしたばはいろづきにけり

kono koro no
akatoki tuyu ni
wa ga yado no
pagi no sitaba pa
irodukinikeri
Around thus time near
Dawn, the dewfall on
My dwelling’s
Bush clover underleaves
Has changed their hue!

Anonymous

A kuzushiji version of the poem's text
Created with Soan.