Autumn III: 23

Left.

初霜や秋をこめても置きつらん今朝色變る野路の篠原

hatsujimo ya
aki o kometemo
okitsuran
kesa iro kawaru
noji no shinohara
Have the first frosts
In the midst of autumn
Fallen?
This morning has brought a change of hue
To the arrow-bamboo groves in Noji!

Lord Kanemune.

465

Right (Win).

いかに又秋は夕と眺め來て花に霜置く野邊の明ぼの

ika ni mata
aki wa yūbe to
nagamekite
hana ni shimo oku
nobe no akebono
How much more striking
Than an autumn evening
Spent gazing, is
The frost fallen on the flowers
In the fields at dawn!

Ietaka.

466

Neither team finds any fault with the other’s poem this round and say as much.

Shunzei’s judgement: The Left’s ‘frost’ (shimo) on the ‘arrow-bamboo groves in Noji’ (noji no shinohara) is certainly elegant [yū ni wa haberubeshi]. The Right’s ‘frost fallen on the flowers’ (hana ni oku shimo) is, too; although there is no difference in formal quality [uta no sama wa ikuhodo sabetsu naku] between them, ‘frost fallen on the flowers’ at ‘dawn’ (akebono) is more arresting [midokoro ya haberu] than ‘arrow-bamboo groves’.

Autumn III: 22

Left.

蟲の音の弱るもしるく淺茅生に今朝は寒けくはだれ霜降る

mushi no ne no
yowaru mo shiruku
asajū ni
kesa wa samukeku
hadare shimo furu
The insects’ cries
Have plainly weakened;
Cogon grass, where
On this chilly morning
Patchy frost has fallen.

Lord Ari’ie.

463

Right.

思ふより又あはれは重ねけり露に霜置く庭の蓬生

omou yori
mata aware wa
kasanekeri
tsuyu ni shimo oku
niwa no yomogyū
I feel
Yet more sadness
Laid upon me:
Upon the dew has frost fallen
In my tangled mugwort garden…

Jakuren.

464

The Right find no fault with the Left’s poem. The Left wonder about the appropriateness of ‘upon the dew has frost fallen’ (tsuyu ni shimo oku).

The Right respond, ‘This refers to when frost falls upon something where dew has already fallen.’ In reply, the Left say, ‘Surely, it is when both of them fall together. We do wonder about frost falling on top of dew.’

Shunzei’s judgement: The Left’s poem has an unclear link between its initial and final sections. On the matter of the Right’s ‘frosty dew’, this has the same sense as in the Right’s poem in the previous round. The dew has frozen into frost, surely? However, as the Left’s poem is not worthy of a victory, the round must tie.

Autumn III: 21

Left (Win).

とけて寢ぬ夢路も霜に結ぼゝれ先知る物は片敷きの袖

tokete nenu
yumeji mo shimo ni
musubōre
mazu shiru mono wa
katashiki no sode
Falling into sleep
Even my dreams are with frost
Filled, and
First to know it are
My lonely sleeves…

Lord Sada’ie.

461

Right.

秋の野の千草の色も枯れあへぬに露置きこむる夜半の初霜

aki no no no
chigusa no iro mo
kare’aenu ni
tsuyu okikomuru
yowa no hatsujimo
The autumn fields
Myriad hues
Cannot be completely covered
When drenched with dew,
First frost at midnight.

The Provisional Master of the Empress’ Household Office.

462

The Right state that the Left’s poem is ‘difficult to understand completely’ [tashikani kokoroegatashi]. The Left find no fault with the Right’s poem.

Shunzei’s judgement: The Left’s ‘even my dreams are with frost’ (yumeji mo shimo ni) sounds pleasant [yoroshiku kikoehaberu]. The Right’s ‘drenched with dew’ (tsuyu okikomuru) is elegant in configuration [sugata wa yū ni kikoehaberu], but it is unclear: is it dew turned to frost being drenched by dew? The Left must win.

Autumn III: 20

Left.

色變る鴛鴦の毛衣今朝見ずは降るとも知らじ秋の露霜

iro kawaru
oshi no kegoromo
kesa mizu wa
furu tomo shiraji
aki no tsuyujimo
Colours changing on
The mandarin duckdown:
If I see it not this morning,
I’ll not know that has fallen:
Autumn’s frosty dew!

Kenshō.

459

Right.

霜さゆる蓬が下のきりぎりす聲も枯野に成やしぬらん

shimo sayuru
yomogi ga shita no
kirigirisu
koe mo kareno ni
nari ya shinuran
Frozen by frost,
Beneath the tangled mugwort
Has the cricket’s
Chirp wearied as the withered fields
Become?

Lord Tsune’ie.

460

The Right say, ‘It sounds as if the Left cannot see frost, unless it’s on a mandarin duck’s down!’
The Left respond, ‘There is the poem ‘the down-clad ducks come to my mind’ (kamo no uwage o omoi koso yare). If one composes a poem about one thing, that’s what one is composing about. As for what the Right have to say in their poem, if one is listening to a cricket’s chirp, how can it be withering away? Dubious! [fushin]’

Shunzei’s judgement: I must say I am doubtful myself about saying frosty dewfall changes the colour of ‘mandarin duckdown’ (oshi no kegoromo). In the Right’s poem, saying, ‘the cricket’s chirp’ (kirigirisu no koe) ‘the withered fields become’ (kareno ni nari ya shinuran) sounds as if one cannot hear it at all. The Left’s use of ‘dew’ (tsuyu), too, seems pointless. The Right has an elegant [yū naru] initial section, but the diction in the final section is dubious [shūku no kotoba fushin ni kikoyu]. I make the round a tie.

Autumn III: 19

Left.

女郎花まだきに霜をいたゞきて盛り過ぬる氣色なる哉

ominaeshi
madaki ni shimo o
itadakite
morisuginuru
keshiki naru kana
Upon the maidenflowers
Already has frost
Fallen, so
Past their prime
They look, indeed!

Lord Suetsune.

457

Right (Win).

もみぢ葉はをのが染たるいろぞかしよそげに置ける今朝の霜かな

momijiba wa
ono ga sometaru
iro zo kashi
yosoge ni okeru
kesa no shimo kana
The autumn leaves –
‘Tis you have stained
Them with your hue!
Indifferently falling
Frost-flakes in the morning…

Nobusada.

458

The Right have no criticisms to make of the Left’s poem this round. The Left wonder about the appropriateness of ‘indifferently falling’ (yosoge ni okeru).

Shunzei’s judgement: The Left saying that on ‘maidenflowers frost falling’ (ominaeshi shimo o itadaki) would put them past their prime seems pointless [sada ni oyobazaru ka]. In addition the final ‘they look, indeed’ (keshiki naru kana) seems feeble [chikara naki]. The Right’s style is intriguing [fūtei kyō arite]. I must make it the winner.

GSIS V: 351

In the Reign of Emperor Go-Reizei, the courtiers of Her Majesty, the Empress, composed on the topic of ‘enjoying chrysanthemums in the gardens’.

朝まだき八重咲く菊の九重に見ゆるは霜のおけばなりけり

asa madaki
yaFe saku kiku no
kokonoFe ni
miyuru Fa simo no
okeba narikeri
Yet early in the morning
Upon the eight-fold blooming chrysanthemums,
A nine-fold layer
Can be seen: for frost
Has fallen upon them.

Minister of the Treasury, [Fujiwara no] Nagafusa (1030-1099)

Autumn III: 18

Left (Win).

雲の上に待來し今日の白菊は人の詞の花にぞ有ける

kumo no ue ni
machikoshi kyō no
shiragiku wa
hito no kotoba no
hana ni zo arikeru
Above the clouds
Long have we waited for this day, when
The white chrysanthemums
Are the words in which folk
Blossom forth!

A Servant Girl.

455

Right.

今日といへば八重咲く菊を九重に重ねし跡もあらはれにけり

kyō to ieba
yae saku kiku o
kokonoe ni
kasaneshi ato mo
arawarenikeri
On this day
Upon the eight-fold blooming chrysanthemums,
A nine-fold layer

Was laid – a trace of it
Appearing…

Nobusada.

456

The Right have no criticisms to make of the Left’s poem. The Left state that the Right’s ‘Upon the eight-fold blooming chrysanthemums, a nine-fold layer’ (yae saku kiku o kokonoe ni) is lifted wholesale from an earlier famous poem.

Shunzei’s judgement: Both Left and Right charmingly express the conception [kokoro wa okashikuhaberu] of the Chrysanthemum Festival, but the Left’s ‘Are the words in which folk blossom forth!’ (hito no kotoba no hana ni zo arikeru) has a slightly better air about it at present.

‘Flowing haze’

‘Flowing haze’ (流霞; ryūka) was a special type of sake, said to have been drunk by sages. In waka poetry, references to kasumi no iro (‘the colour of haze’) were conventionally assumed to refer to a pale blue shade – the purported colour of this sake. Shunzei’s complaint is that Suetsune is being overly clever in his poem, and ending up confusing his audience.

The Hall of Longevity

The Hall of Longevity (Chángshēng Diàn; 長生殿) was the name of a building within the Huaqing Palace (華清宮) built on the orders of Emperor Taizong (太宗) (598-649; r. 626-649), the second emperor of the Tang Dynasty as a retreat away from the capital.