Tag Archives: kami

Sumiyoshi-sha uta’awase kaō ni-nen 54

Round Four

Left

あくがるるたまとみえけむなつむしのおもひはいまぞおもひしりぬる

akugaruru
tama to miekemu
natsumushi no
omoi wa ima zo
omoishirinuru
As my wandering
Soul do appear
The fireflies—
Those feelings, now,
How well I know!

Kojijū
107

Right (Win)

いはずともおもひはそらにしりぬらむあまくだりますすみよしのかみ

iwazu tomo
omoi wa sora ni
shirinuramu
amakudarimasu
sumiyoshi no kami
Needless to say
My feelings within the skies
Are well-known by
The heaven-descended
God of Sumiyoshi!

Lord Sanemori
108

The poem of the Left appears to have a deep conception. However, this poem should be composed about the emotions expressed in Izumi Shikibu’s poem ‘Fireflies by the marsh: / From my breast’.[1] If so, then by having something like ‘As my wandering / Soul the fireflies / Do appear’, it appears as if you know how Izumi Shikibu felt. Here, though, we have ‘As my wandering / Soul do appear / The fireflies’ and this sounds as if you know how the fireflies feel—in which case it seems more in keeping with the poem by the Katsura Princess which says, ‘Their bodies bringing an excess / Of passion’s fires’.[2] Then again, does the diction, ‘As my wandering / Soul do appear’, perhaps, differ from this? The poem of the Right has nothing particularly evocative in its use of diction, but ‘My feelings within the skies’ and following this with ‘The heaven-descended’ at least sounds as if has a purpose to it. The Right wins, I should say.


[1] When she had been forgotten by a man, she went to Kibune, and composed this on seeing fireflies flitting about by the Mitarashi River. 物思へば澤の螢も我身よりあくがれ出づる玉かとぞみる mono’omoeba / sawa no hotaru mo / wa ga mi yori / akugare izuru / tama ka to zo miru ‘I’m at such a loss; / Fireflies by the marsh: / From my breast / Wanders out / My soul, or so it seems.’ Izumi Shikibu (GSIS XX: 1162)

[2] When Princess Katsura had said ‘Catch some fireflies,’ and one of the boys had them wrapped up in the sleeves of his jacket. つつめどもかくれぬ物は夏虫の身よりあまれる思ひなりけり tsutsumedomo / kakurenu mono wa / natsumushi no / mi yori amareru / omoinarikeri ‘Wrapped up, yet / Unconcealable are / The summer insects: / Their bodies bringing an excess / Of passion’s fires.’ Anonymous (GSS IV: 209)

Sumiyoshi-sha uta’awase kaō ni-nen 53

Round Three

Left (Tie)

あはれとやかみもおもはむすみのえのふかくたのみをかくるみなれば

aware to ya
kami mo omowamu
suminoe no
fukaku tanomi o
kakuru mi nareba
‘How sad,’ does
The God, too, think?
For at Suminoe
Deep in devotions
Am I entangled…

Lord Tsunemori
105

Right

たのみつるこのひとむらの人ごとにちとせをゆづれすみよしのまつ

tanomitsuru
kono hitomura no
hito goto ni
chitose o yuzure
sumiyoshi no matsu
Devoted are
This group of folk, so
To each and every one
Grant a thousand years,
O, pines of Sumiyoshi!

Lord Yorisuke
106

The poem of the Left, saying ‘deep in devotions’ and suchlike, is pleasant, I have to say. Does the poem of the Right’s ‘this group of folk’ refer to the current poets or to the speaker’s own household? Well, whichever it is, the conception of devotion does not appear to be slight, but again I say this is a tie.

Sumiyoshi-sha uta’awase kaō ni-nen 25

Left (Tie)

まつかぜにふけゆく月のすみのえはなみのよるこそたちまさりけれ

matsukaze ni
fukeyuku tsuki no
suminoe wa
nami o yoru koso
tachimasarikere
The wind through the pines
Blows late upon the moon
At Suminoe, where
The night’s breaking waves
Rise strikingly!

Novice Jakunen[1]
49

Right

しもならで月もるよひやかたそぎのゆきあはぬひまもかみはうれしき

shimo narade
tsuki moru yoi ya
katasogi no
yukiawanu hima mo
kami wa ureshiki
That ‘tis not frost, but
The moon, dripping at night
Through the ridge poles
Unmatched gaps,
Does the Deity feel joy?

Suke, from the Residence of the Former Minister of the Right[2]
50

The Left poem’s ‘Blows late upon the moon / At Suminoe’ sounds pleasant, but there have been recent poems, such as ‘Brings waves–that / I would tell you!’[3] and ‘Simply with the waves / Did seem to draw near with the night’[4] and while the initial section of the poem here differs, basing a poem on this is not that unusual, I think. The tone of the Right’s poem is charming, but it does not seem likely that the Deity would feel joy simply at the moon coming through the gaps in His ridgepoles. The Deity’s power is limitless and wards eighty isles beyond Sumiyoshi—indeed, there is nowhere in Tsumori’s shore or Sumiyoshi beach, above the waves or in the shad of the pines that it does not reach. I have discussed ridgepoles earlier. Nevertheless, the configuration of the poem isn’t bad, so these should tie, I think.


[1] Shami Jakunen 沙弥寂念

[2] Zen-udaijin no ie no Suke前右大臣家佐

[3] 人しれぬ思ひありそのはま風に浪のよるこそいはまほしけれ hito shirenu omoi ariso no hamakaze ni nami no yoru koso iwamahoshikere ‘Unknown to all / My passion burns—toward a rocky / Beach the breeze / Brings waves–that / I would tell you!’ Middle Captain Toshitada (Horikawa-in enjo awase 17/KYS (2) 468/500)

[4] Composed when he was asked by people in the capital what the moon had been like, when he had returned there, after going to Akashi to gaze upon it, at a time when it was particularly bright. 有明の月もあかしの浦風に波ばかりこそよるとみえしか ariake no tsuki mo akashi no urakaze ni nami bakari koso yoru to mieshika ‘The dawntime Moon’s brightness, with Akashi’s / Beach breezes / Simply with the waves / Did seem to draw near with the night…’ Taira no Tadamori (KYS (2) III: 216/KYS (3) III: 212)

Sumiyoshi-sha uta’awase kaō ni-nen 24

Left

あまくだるかみもひさしくみやゐして月ものどかにすみよしのうら

amakudaru
kami mo hisashiku
miya’ishite
tsuki mo nodoka ni
sumiyoshi no ura
Descending from Heaven,
The Deity, too, eternally
Manifests here, where
The moon, too, is calm
Above the bay of Sumiyoshi.

Venerable Dharma Eye Shōken[1]
47

Right (Win)

かみよよりたぐひなしともすみよしのまつやこよひの月をみるらむ

kamiyo yori
taguinashi tomo
sumiyoshi no
matsu ya koyoi no
tsuki o miruramu
Since the Age of Gods
Is there nothing to compare with,
At Sumiyoshi,
The pines tonight with
The moon filling my gaze?

Novice Jakuchō[2]
48

The Left appears to have a truly charming conception and configuration, but beginning with ‘The Deity, too, eternally’ and then saying ‘The moon, too, is calm’ and repeating the same word is discordant. The Right, in addition to having no particular faults to mention, has an extremely pleasant-sounding configuration with ‘The pines tonight’. Thus, I make this a win for the Right.


[1] Hōgen kashōi Shōkaku 法眼和尚位静賢

[2] Shami Jakuchō沙弥寂超

Sumiyoshi-sha uta’awase kaō ni-nen 20

Left (Win)

たまがきにひかりさしそふゆふづくよかみにたむくるかげにやあるらむ

tamagaki ni
hikari sashisouru
yūzukuyo
kami ni tamukuru
kage ni ya aruramu
The jewelled fences,
Trailed with light,
On an early moonlit evening:
Is this to the Deity an offering
Of light, I wonder?

Lord Fujiwara no Kunisuke
Supernumerary Senior Secretary of the Empress Household Office
Exalted Junior Fifth Rank, Lower Grade
39

Right

くもはらふあらしのみがく月にまたひかりをそふるあけのたまがき

kumo harau
arashi no migaku
tsuki ni mata
hikari o souru
ake no tamagaki
Clouds swept away
By the storm wind, polish
The moon, so once more
Light trails across
The vermillion jewelled fences.

Horikawa, from the Residence of the Former Chancellor[1]
40

The Left’s poem is extremely charming with the solicitousness it displays in the sequence ‘On an early moonlit evening: / Is this to the Deity an offering’, but it is truly regrettable that it does not use the full moon or that at the dawn. The Right’s poem focusses on ‘light trailing’ and, as I get the impression that I have heard this a lot recently, the earlier instances have said all there is to say here, so once more the overall style of the Left is superior.


[1] Zen-dajō daijin no ie Horikawa 前太政大臣家堀川

Sumiyoshi-sha uta’awase kaō ni-nen 19

Left

さえわたる月のひかりやすみよしのまつのはしのぎふれるしらゆき

saewataru
tsuki no hikari ya
sumiyoshi no
matsu no ha shinogi
fureru shirayuki
So chill
The moon’s light, that
Sumiyoshi’s
Pines’ needles seem weighed down
With fallen snow.

Grand Dharma Master Yūsei[i]
37

Right (Win)

月のすむなにはのうらのけしきにはかみのこころもたえずやあるらむ

tsuki no sumu
naniwa no ura no
keshiki ni wa
kami no kokoro mo
taezu ya aruramu
The moon rising above
The bay of Naniwa—
At the scene
Even the Deity’s heart
Must be unable to endure…

Lord Fujiwara no Norimori
Junior Fifth Rank, Lower Grade
Without Office[ii]
38

The poem of the Left appears pleasant in configuration and sequencing, but it lacks any profundity of thought and simply seems to flow easily. The Right’s poem appears to have some conception, managing to follow ‘Having a sensitive heart: / To such a one would I show / The land of Tsu’[1] and also seems to sound as if it conveys the sense of the old poem about a man finding the bay of Naniwa unbearably fine[2]. With that being said, expanding this to the Deity’s heart as well is charming. Thus, the Right wins.


[1] Sent to someone’s residence, when he was in Tsu province around the beginning of the year. こころあらむ人にみせばやつのくにのなにはわたりのはるのけしきを kokoro aramu / hito ni miseba ya / tsu no kuni no / naniwa watari no / haru no keshiki o ‘I would to a sensitive / Soul show / The land of Tsu / Around Naniwa— / Truly, the scenery of spring!’ Dharma Master Dōin (GSIS I: 43)

[2] Composed as a spring poem, when he presented a hundred-poem sequence. 心なきわが身なれども津の国の難波の春にたへずも有るかな kokoro naki / wagami naredomo / tsu no kuni no / naniwa no haru ni / taezu mo aru kana ‘Insensitive / Is my sorry self, yet / In the land of Tsu / Naniwa in springtime is / Unbearably fine!’ Fujiwara no Suemichi (SZS II: 106/Kyūan hyakushu 413)


[i] Daihōshi Yūsei大法師祐盛

[ii] San’i jūgoige Fujiwara ason Norimori 散位従五位下藤原朝臣憲盛

Sumiyoshi-sha uta’awase kaō-ni nen 14

Left (Tie)

ゆきもあはぬちぎのかたそぎもる月をしもとやかみのおもひますらむ

yuki mo awanu
chigi no katasogi
moru tsuki o
shimo to ya kami no
omoimasuramu
Fail to entwine do
The chiliad of trees, while from the ridge poles
Drips the moon—
‘Tis frost, perhaps, does the Deity
Deign to wonder?

Lord Taira no Tsunemasa
Supernumerary Director of the Bureau of Horses, Left Division
Governor of Awaji
Exalted Fifth Rank, Lower Grade[i]
27

Right

しろたへのゆきかとみればかぜさえて月ぞしづるるすみよしのまつ

shirotae no
yuki ka to mireba
kaze saete
tsuki zo shizururu
sumiyoshi no matsu
White as mulberry cloth,
I wonder, if ‘tis snow, I see—
In the chill wind
The moon slips from
The pines of Sumiyoshi…

Lord Minamoto no Nakatsuna
Governor of Oki
Junior Fifth Rank, Lower Grade[ii]
28

The configuration of the Left appears elegant, but the expression ‘chiliad of trees’ was said to be impermissible by Lord Mototoshi in his judgement on a poetry competition held in a certain place. The final section, too, seems to require a bit more thought [because it’s insulting to the deity]. As for the Right, the conception of wondering if the moon’s light shining through the trees is snow slipping off them is charming, but I do wonder about the sound of ‘the moon slips’ as a piece of diction. The initial ‘white as mulberry cloth’, too, sounds like it needs further thought [because this is not used to modify ‘snow’], so these should tie.


[i] Shōgoige-gyō sauma gon-kami ken awaji no kami Taira ason Tsunemasa正五位下行左馬権頭兼淡路守平朝臣経正

[ii] Jūgoige-gyō oki no kami Minamoto ason Nakatsuna 従五位下行隠岐守源朝臣仲綱