Original
こまなべてきみがみにくるかすがのはまつかさしげしあめにさはるな
| koma nabete kimi ga mi ni kuru kasugano wa matsukasa shigeshi ame ni sawaru na | Mounts aligned, My Lord has come to see Kasuga Plain, where The plentiful pinecones mean He’ll be untroubled by rain! |
43
Left (Win)
ぬれつつもあめにはゆかむまつかさのちとせのはるをもらさざらなむ
| nuretsutsu mo ame ni wa yukamu matsukasa no chitose no haru o morasazaranamu | Even dampened By the rain, let us go! For the pinecones Over a thousand years of springtimes Will surely not allow a single drip! |
44[1]
Right
かすがののまつかさだにもなかりせばあめふるさとにわれこましやは
| kasugano no matsukasa dani mo nakariseba ame furu sato ni ware komashi ya wa | If on Kasuga Plain Even pinecones Were there not, then, To the rainswept ancient capital Why would I come at all? |
45
[1] This poem is included in Ise-shū (107) with the headnote ‘From the time of the Kasuga Poetry Match’, implying that this is Ise’s work, even if she is not identified as the poet in the text here.
Poems which had been placed in the carriage of the Tenth Prince [Prince Masa’akira 雅明親王 (920-929)]
Original
ことしよりにほひそむめりかすがののわかむらさきにてでなふれそも
| kotoshi yori nioisomumeri kasugano no wakamurasaki ni tede na fure so mo | From this year Has begun to bloom, it seems, On Kasuga Plain Young gromwell, so Don’t put your hands upon it! |
40
Left (Win)
むらさきにてもこそふるれかすがのののもりよひとにわかなつますな
| murasaki ni te mo koso furure kasugano no moriyoito ni wakana tsumasu na | On the gromwell Folk will surely put their hands, so Kasuga Plain’s Wardens, all, Don’t allow picking of young herbs here! |
41
Right
ちはやぶるかみもしるらむかすがののわかむらさきにたれかてふれむ
| chihayaburu kami mo shiruramu kasugano no wakamurasaki ni tare ka te furemu | The mighty God does surely know, so On Kasuga Plain, On young gromwell Would any dare to lay their hands? |
42
Original
ふるさとのかすがののべのくさもきもはるにふたたびあふことしかな
| furusato no kasuga no nobe no kusa mo ki mo haru ni futatabi au kotoshi kana | At the ancient capital Upon Kasuga’s plain, Grasses and trees, both, Springtime have twice Met this year! [1] |
Mitsune
34
Left (Win)
はるながらまたはるにあふかすがのにおひぬくさきはねたくやあるらん
| haru nagara mata haru ni au kasugano ni oinu kusaki wa netaku ya aruran | ‘Tis spring, but That springtime once more has come To Kasuga Plain, Won’t the grasses and trees growing there Be envied, indeed? |
35
Right
ゆきかへるみちのやどりかかすがののくさきにはなのたびかさぬらむ
| yukikaeru michi no yadori ka kasugano no kusaki ni hana no tabikasanuramu | Is it that arriving and departing, The lodging on spring’s path lies On Kasuga Plain, so On the grasses and trees, blossom Appears time and time again? |
36
[1] This poem occurs in Mitsune-shū (322) with the same headnote as for poem (22), above. It was also included in Shinsenzaishū (X: 980), with the headnote, ‘Composed in place of the Governor of Yamato in Engi 21, on the day when the Kyōgoku Lady of the Bedchamber visited the shrine at Kasuga.’
Original
かすがののけふのみゆきをまつばらのちとせのはるはきみがまにまに
| kasugano no kyō no miyuki o matsubara no chitose no haru wa kimi ga manimani | On Kasuga Plain Today’s progress Awaited have the pine groves, A thousand years of springtimes, Just as my Lady’s thoughts. [1] |
Mitsune
31
Left
ゆくさきのはるをとほくしまかすればいまはちとせのうたがひもなし
| yukusaki no haru o tōkushi makasureba ima wa chitose no utagai mo nashi | Future Springtimes to distant times May we entrust, for Now that she will live a thousand years more There is no doubt, at all. |
32
Right (Win)
むれたちてわれをまつてふかすがののみどりふかくやおもひそめけむ
| muretachite ware o matsu chō kasugano no midori fukaku ya omoisomekemu | Growing crowded together, and Awaiting me are the pines On Kasuga Plain— Why should their green so deeply Seem to think of me? |
33
[1] A minor variant of this poem occurs in Mitsune-shū (325) with the same headnote as for poem (22), above.
Original
はるごとにきみしかよはばかすがののやちよのまつもかれじとぞおもふ
| haru goto ni kimi shi kayowaba kasugano no yachiyo no matsu mo kareji to zo omou | Should every single spring My Lady visit here, On Kasuga Plain The pines, eight thousand ages old Would never wither, I feel! |
25
Left (Win)
かすがのにはるはかよはむわがためにまつこころありてよはひますなり
| kasugano ni haru wa kayowamu wa ga tame ni matsu kokoro arite yowai masu nari | To Kasuga Plain Where spring is wont to come For my sake, then Should the pines be a mind to tarry with me How exceeding old would I become. |
26
Right
かすがののまつしかれずはみたらしのみづもながれてたえじとぞおもふ
| kasugano no matsu shi karezu wa mitarashi no mizu mo nagarete taeji to zo omou | On Kasuga Plain The pines will wither never, for The Mitarashi’s Water’s flow, too, Will never cease, I feel. |
27
Original
わかなつむとしはへぬれどかすがのののもりはけふやはるをしるらむ
| wakana tsumu toshi wa henuredo kasugano no nomori wa kyō ya haru o shiruramu | Plucking fresh herbs do The years pass by, yet On Kasuga Plain, The wardens today Must truly know ‘tis spring. [1] |
Mitsune
19
Left (Tie)
けふ見てぞわれはしりぬるはなはなほかすがののべのものにぞありける
| kyō mite zo ware wa shirinuru hana wa nao kasuga no nobe no mono ni zo arikeru | Today did I see, and Understood it well, that Blossom, truly, Upon the meadows of Kasuga Is best of all. |
20
Right
ありへてもかすがののもりはるにあふはとしもわかなもつめるしるしか
| arihete mo kasuga no nomori haru ni au wa toshi mo wakana mo tsumeru shirushi ka | Over passing ages, For the wardens of Kasuga, Encountering the springtime, The years and the fresh herbs, both, Have garnered as a sign, perhaps. |
21
[1] A variant of this poem occurs in Shokugosenshū: In the twenty-first year of the same era, on a day when the Kyōgoku Lady of the Bedchamber visited the shrine at Kasuga, he composed this in place of the official from the province of Yamato. としごとにわかなつみつつかすが野ののもりもけふやはるをしるらん toshi goto ni / wakana tsumitsutsu / kasugano no / nomori mo kyō ya / haru o shiruran ‘Every single year / Ever plucking fresh herbs / On Kasuga Plain / The wardens, too, today / Must truly know ‘tis spring.’Mitsune (XVI: 1032/1029)
Original
うぐひすのなきつるなへにかすがののけふのみゆきをはなとこそみれ
| uguisu no nakitsuru nae ni kasugano no kyō no miyuki o hana to koso mire | While the warbler Sings on Kasuga Plain Today, accompanying the progress, snow As blossom does appear.[1] |
16
Left (Win)
いまはしもはなとぞいはむかすがののはるのみゆきをなにとかは見む
| ima wa shimo hana to zo iwamu kasugano no haru no miyuki o nani to ka wa mimu | Now, of all, The blossom, I would describe, On Kasuga Plain, as Springtime progress snow— What else can I say? |
17
Right
ふるさとにゆきまじりたるはなと見ばわれにおくるなのべのうぐひす
| furusato ni yukimajiritaru hana to miba ware ni okuru na nobe no uguisu | Around the ancient capital Have I gone amidst the snow— If as blossom I did see it, then, O, don’t send me off, Warbler upon the plain! |
18
[1] SIS 1044 attributed to Fujiwara no Tadafusa ‘Headnote ‘Among the many poems presented by provincial officials, when the Kyōgoku Lady of the Bedchamber visited Kasuga.’
Original
ちはやぶるかすがのはらにこきまぜてはなともみゆるかみのきねかな
| chihayaburu kasuga no hara ni kokimazete hana tomo miyuru kami no kine kana | On mighty Kasuga plain All blend together Blossom seen with The God’s servitors! |
Mitsune
10
Left (Win)
かすがののはなとはまたも見えぬべしいまこむはるのかざしがてらに
| kasugano no hana to wa mata mo mienubeshi ima komu haru no kazashigatera ni | Kasuga Plain’s Blossom once more Could be seen, In the spring now lying ahead, As a garland in its hair… |
11
Right
はるがすみたちまじりつつゆくからにあだにもはなとみえにけるかな
| harugasumi tachimajiritsutsu yuku kara ni ada ni mo hana to mienikeru kana | Amidst the haze of spring Standing Have we come, so It might be untrue, but as blossom Do we seem! |
12
The Lady of the Right on this occasion mistook the word ‘plain’ in the original poem and wrote down ‘meadow’ instead. This was challenged by the Lady of the Left, saying, ‘That’s what we heard. When someone composes at variance with the conception of the topic, that’s a loss. Thus, the Lady of the Right loses.’
Tadafusa then said to His Majesty, ‘The character used to write “plain” can, in fact, also be used to write “field”. Even though the Right is inferior, it is still a fine poem, and so I would make this a tie.’
His Majesty responded, ‘The does not correspond to what has been said. You don’t seem to reached a logical conclusion.’
Tadafusa silently bowed his head, and after long while, eventually, said, ‘What the Lady of the Left has said is logical and appropriate.’
‘Well, then, judge again, based on this,’ His Majesty instructed, and the Lady of the Right lost, and was not permitted another composition.
