芦のやのなだのしほやき我なれやよるはすがらにくゆりわぶらん
| ashi no ya no nada no shioyaki ware nare ya yoru wa sugara ni kuyuriwaburan | Beneath a roof of reeds At Nada roasting salt Am I! All night long, Smouldering with painful passion… |
470
Tag Archives: reeds
Kinkai wakashū 339
Sumiyoshi-sha uta’awase kaō ni-nen 66
Round Sixteen
Left (Win)
よにすめど人しれぬみやしをりするみやまがくれのたにのしたみづ
| yo ni sumedo hito shirenu mi ya shiorisuru miyamagakure no tani no shitamizu | Dwelling within this world, yet No one knows that ‘tis as if I Were marking a trail Hidden deep within the mountains To waters flowing on the valley floor… |
Hiromori
131
Right
あしからむなにはのことはかねてよりちかくてまもれすみよしのかみ
| ashikaramu naniwa no koto wa kanete yori chikakute mamore sumiyoshi no kami | Reaping reeds, should ill fortune come From Naniwa, in all things Just in case Ward me closely O, God of Sumiyoshi! |
Dharma Master Chikyō
132
The poem of the Right here, while it does draw on ‘reaping reeds at Naniwa’, in its phrasing sounds prosaic. As the Left’s ‘waters flowing on the valley floor’ seems to flow smoothly off the tongue, it wins.
SKS IX: 347
When Akinaka, Head of the Department of Shintō, held a poetry match at Hirota, he composed this as a plea to the god on the topic of ‘Personal Grievances and the Moon’.
なにはえのあしまにやどる月みればわが身ひとつもしづまざりけり
| naniwae no ashima ni yadoru tsuki mireba wagami hitotsu mo shizumazarikeri | When at Naniwa inlet, Between the reeds lodging The moon I see ‘Tis not my sorry self alone that Is downcast, I know! |
Master of the Left Capital Office Akisuke
Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 03
Plum
Round Three
Left (Tie)
あしがきのおくゆかしくもみゆるかな誰がすむ宿の梅の立えぞ
| ashigaki no oku yukashiku mo miyuru kana ta ga sumu yado no ume no tachie zo | A fence of reeds and Within, how charming They appear! Who is it dwells at this house of Beckoning branches of plum? |
Lord Kiyosuke
5
Right
ひばりあがる春の日ぐらし袖たれてかきねの梅の花みるわれは
| hibari agaru haru no higurashi sode tarete kakine no ume no hana miru ware wa | Skylarks soar In springtime all day long, Dangling my sleeves, upon The plum inside the lattice fence, At the blossom gaze I… |
Kenshō
6
The Left is in cliched style, while the final line of the Right is interrupted—a tie, I think.
SKKS XI: 1049
Topic unknown.
難波潟みじかき蘆のふしのまも逢はでこの世をすぐしてよとや
| naniwagata mijikaki ashi no fushi no ma mo awade kono yo o sugushiteyo to ya | In the Naniwa tidelands, Brief, indeed, are the reeds’ Span between the knots upon their stalks, but Such times in this world without meeting you— Are you really telling me to just go on like that? |
Ise
Teiji-in uta’awase 28
Left (Tie)
ひとのうへとおもひしものをわがこひになしてやきみがただにやみぬる
| hito no ue to omoishi mono o wa ga koi ni nashite ya kimi ga tada ni ya minuru | Upon me The coals of passion have lain, yet After my love has been So clear, why, my lady Do you seem so calm? |
Mitsune
55
Right
あしまよふなにはのうらにひくふねのつなでながくもこひわたるかな
| ashi mayou naniwa no ura ni hiku fune no tsunade nagaku mo koi wataru kana | Lost among the reeds Of Naniwa Bay, Pulling a boat with Tug-ropes stretching long As my love endures! |
56
Horikawa-in Enjo Awase 25
SCSS VIII: 498
On the day of an imperial visit to the Naniwa Palace, in Kyōun 3 [706].
あし辺ゆくかものはがひにしもふりてさむきゆふべのことをしぞおもふ
| ashibe yuku kamo no hagai ni shimo furite samuki yūbe no koto o shi zo omou | Huddled in the reeds Upon the ducks’ folded wings Frost falls and In the evening’s cold My mind is full of thoughts. |
The Tawara Emperor