Tag Archives: ama no kawa

Entō ōn’uta’awase 33

Round Thirty-Three

Stags in the Night[1]

Left

久方のかつらの陰に鳴く鹿は光をかけて声ぞさやけき

hisakata no
katsura no kage ni
naku shika wa
hikari o kakete
koe zo sayakeki
In the eternal
Silver trees’ glow
The belling stag
Is limned with light, and
His voice sounds clear, indeed!

A Court Lady
65

Right (Win)

天川秋の一夜のちぎりだにかた野に鹿の音をや鳴くらん

ama no kawa
aki no hitoyo no
chigiri dani
katano ni shika no
ne o ya nakuran
By the River of Heaven
For a single autumn night’s
Brief bond—
Is that why a stag at Katano
Does cry out so?

Ietaka
66

The Right’s poem, by beginning with ‘By the River of Heaven / For a single autumn night’s / Brief bond’ and then continuing with ‘a stag at Katano’ sounds particularly refined, evoking memories of bygone days when Prince Koretaka sought lodging from the Weaver Maid when hunting at Katano—how charming it is.[2] The Left’s poem overall is not particularly bad and seems to lack any obvious faults, but the Right’s poem surpasses it in every way: it is not one of the normal run of compositions and thus, it must win.


[1] 夜鹿 – there are early examples of poems on related topics in Kin’yōshū and Senzaishū.

[2] Gotoba is referring to a pair of poems in Kokinshū which are contextualized by an account of a hunting expedition by Prince Koretaka 惟喬 (844-897): Once, when he had gone hunting in the company of Prince Koretaka, they dismounted by the banks of a river called Ama no Gawa (River of Heaven), and while they were tippling, the Prince commanded that Narihira offer him a wine cup with a poem expressing the feelings of a hunter arriving at the river of Heaven, so he composed the following: かりくらしたなばたつめにやどからむあまのかはらに我はきにけり kari kurashi / tanabatatsume ni / yado karamu / ama no kawara ni / ware wa kinkeri  ‘While hunting night is falling, / So from the Weaver Maid / Let us beg lodging / For to the Riverbank of Heaven / Have we come!’ Ariwara no Narihira (KKS IX: 418); The prince recited the above poem many times, but was unable to think of a reply so, being one of the party, Aritsune composed this: ひととせにひとたびきます君まてばやどかす人もあらじとぞ思ふ hito tose ni / hito tabi kimasu / kimi mateba / yado kasu hito mo / araji to zo omou ‘In a single year / But once comes / The Lord she awaits, so / One who provides lodging / She is not, I’d say!’ Ki no Aritsune (KKS IX: 419). These poems were famously incorporated into chapter 82 of Ise monogatari with four others to provide an expanded context. See Horiuchi and Akiyama (1997, 157-160) for the original text and Mostow and Tyler (2010, 175-179) for an English translation and commentary.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 34

Round Ten

Left

をぐらやま下ゆく水のさざれ石も数かくれなくてらす月かげ

ogurayama
shita yuku mizu no
sazare’ishi mo
kazu kakurenaku
terasu tsukikage
Beneath gloomy Mount Ogura
Flow waters full
Of pebbles,
Unable to conceal their numbers
In the shining moonlight.

Lord Kiyosuke
67

Right (Win)

あまの川とわたる月の影すみてにごれるよともみえぬ空かな

ama no kawa
towataru tsuki no
kage sumite
nigoreru yo tomo
mienu sora kana
Across the River of Heaven’s
Mouth passes the moon’s
Clear light—
Even this cloudy world
Does not appear so beneath this sky!

Shinkaku
68

There’s nothing to mention about the Left, and the same is the case for the Right, but for some reason should it win?

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 11

Round Eleven

Tanabata

Left (Win)

七夕はたえぬ契りをうれしともこよひばかりやおもひしるらん

tanabata wa
taenu chigiri o
ureshi tomo
koyoi bakari ya
omoishiruran
The Weaver Maid’s
Unending vow is
A source of joy, yet
Is it only on this night
That she truly feels it?

Shun’e
21

Right

天の河わたるこよひや七夕は中中袖をぬらさざるらん

ama no kawa
wataru koyoi ya
tanabata wa
nakanaka sode o
nurasazaruran
The River of Heaven
Does she cross tonight, so
The Weaver Maid
Truly, her sleeves
Dampens not, I think!

Yorisuke
22

Yōzei-in uta’awase (Engi jūsan-nen kugatsu kokonoka) 07

Left (Tie)

をしとおもふ心ぞふかき天の河ながれて秋のとまるなるらん

oshi to omou
kokoro zo fukaki
ama no kawa
nagarete aki no
tomaru naruran
Feelings of regret
Lie deep upon my heart;
The River of Heaven’s
Flow autumn
Does seem to halt.

13

Right

いづくへかあきはゆくらんつのくにのながらへゆくときかばたのまん

izuku e ka
aki wa yukuran
tsu no kuni no
nagara e yuku to
kikaba tanoman
Where might it be that
Autumn does go?
To the land of Tsu,
To Nagara it goes—
If you hear that, then put your trust in it!

14

Kanpyō no ōntoki kisai no miya uta’awase 61

Winter Poems    Twenty Rounds

Left

かきくもりあられふりしけ白玉をしける庭とも人の見るがに

kakikumori
arare furishike
shiratama o
shikeru niwa to mo
hito no miru gani
Clouds rush in
Dropping scattered hailstones;
Pearl
Strewn, my garden
I would that he would see…

119

Right

天の河ふゆは空までこほるらし石間にたぎつ音だにもせず

ama no kawa
fuyu wa sora made
kōrurashi
iwama ni tagitsu
oto dani mo sezu
The River of Heaven in
Winter: the very skies
Seem frozen, with
Between the rocky crags rushing
No sound at all.

120

Kanpyō no ōntoki kisai no miya uta’awase 31

Left

なつの夜は水やまされる天の河ながるる月のかげもとどめぬ

natsu no yo wa
mizu ya masareru
ama no kawa
nagaruru tsuki no
kage mo todomenu
On a summer night
Is it that the waters are so fine
Of the River of Heaven?
Drifting, the moon’s
Face, too, tarries not.

61[1]

Right

去年の夏鳴きふるしてし郭公それかあらぬかこゑのかはらぬ

kozo no natsu
nakifurusiteshi
hototogisu
sore ka aranu ka
koe no kawaranu
Last summer
Did you sing as if there’d be no other,
O, cuckoo;
Is it you, or another,
For your song is quite unchanged.

62[2]


[1] A minor variant of this poem, with a headnote identifying it as being from this contest, is included in Shokugosenshū (IV: 214): 夏の夜は水まさればやあまのがはながるる月のかげもとどめぬ natsu no yo wa / mizu masareba ya / ama no kawa / nagaruru tsuki no / kage mo todomenu ‘On a summer night / Perhaps, because the waters are so fine / Of the River of Heaven? / Drifting, the moon’s / Face, too, tarries not.’

[2] Kokinshū III: 159/Shinsen man’yōshū 63