Tag Archives: Yoshitsune

Love I: 17

Left (Win).

谷深みはるかに人をきくの露触れぬ袂よ何しほるらん

tani fukami
haruka ni hito o
kiku no tsuyu
furenu tamoto yo
nani shioruran
Deep within the valley,
Of her, a distant
Word; no dew from the chrysanthemum
Has touched my sleeves, so
Why are they so damp?

A Servant Girl.

633

Right.

君をのみ心づくしに企救の池言ひ出ぬより袖ぞ濡れぬる

kimi o nomi
kokoro zukushi ni
kiku no ike
ii’idenu yori
sode zo nurenuru
Only you do
Fill the whole of my heart;
Word of the waters of Kiku Pond,
A mere mention and
My sleeves are soaked….

Lord Tsune’ie.

634

The Gentlemen of the Right state: the Left’s poem is without fault. The Gentlemen of the Left state: while the Right’s ‘Kiku Pond’ (kiku no ike) does have something novel about it, ‘a mere mention’ (ii’idenu) is pedestrian.

Shunzei’s judgement: The Left’s ‘chrysanthemum valley’ (kiku no tani) and the Right’s ‘chrysanthemum pond’ (kiku no ike) both along the same lines and seem to sound charming [okashiku koso kikoehaberumeredomo]; still, ‘no dew from the chrysanthemum has touched my sleeves’ (kiku no tsuyu furenu tamoto yo) seems a little more elegant to me now.

Love I: 7

Left (Win).

洩らすなよ雲ゐる嶺の初時雨木の葉は下に色變るとも

morasunayo
kumoiru mine no
hatsu shigure
ko no ha wa shita ni
iro kawarutomo
O, let it not leak out!
Though the cloud-capped peaks’
First shower of rain,
On the leaves’ underside
Has left a change of hue

A Servant Girl.

613

Right.

閨のうちは涙の雨に朽ち果てゝしのぶは茂る妻にぞ有ける

neya no uchi wa
namida no ame ni
kuchihatete
shinobu wa shigeru
tsuma ni zo arikeru
Within my bedchamber
A rain of tears
Has rotted all, so
The weeping ferns secretly grow thick
Around the edges…

The Provisional Master of the Empress’ Household Office.

614

The Gentlemen of the Right state: the Left’s poem has no defects worth criticising. The Gentlemen of the Left state: the initial and final sections of the Right’s poem lack connection with each other. Does the poem have a conception of hiddenness?

Shunzei’s judgement: The conception and configuration of the Left’s ‘cloud-capped peaks’ first shower of rain’ (kumoiru mine no hatsu shigure) seems charming [kokoro sugata okashiku mie]. On that basis, it should win.

Love I: 1

Left.

知らざりし我戀草や茂るらん昨日はかゝる袖の露かは

shirazarishi
wa ga koigusa ya
shigeruran
kinō wa kakaru
sode no tsuyu ka wa
All unknown
Have the fresh shoots of my love
Grown thick;
Only yesterday no
Dew fell on my sleeves…

A Servant Girl.

601

Right.

今朝までもかゝる思はなき物をあはれあやしき袖の上哉

kesa made mo
kakaru omoi wa
nakimono o
aware ayashiki
sode no ue kana
Even yesterday
These feelings
I lacked;
O, how strange it is
Atop my sleeves!

Nobusada.

602

The Gentlemen of the Right state: in the Left’s poem we would have preferred ‘had fallen’ (kakarishi). The Gentlemen of the Left state: in the Right’s poem we would have preferred ‘Even yesterday those’ (kesa made mo kakaritsuru).

Shunzei’s judgement: I wonder whether the criticism of the Left’s poem as needing to be ‘had fallen’ is right. In the Right’s poem there is no need to have ‘those’ but it should be ‘these feelings I had lacked’ (kakaru omoi wa nakaritsuru mono o). Whichever way you look at it, this round is a tie.

Winter II: 30

Left.

一年のはかなき夢は覺めぬらん三世の佛の鐘の響きに

hito tose no
hakanaki yume wa
oboenuran
miyo no hotoke no
kane no hibiki ni
A year is but
A fleeting dream
I feel, while
The three worlds’ Buddhas’
Bells yet sound…

A Servant Girl.

599

Right.

唱へつる佛の御名は朝日にてやがて消えゆく一年の露

tonaetsuru
hotoke no mina wa
asahi nite
yagate kieyuku
hito tose no tsuyu
The proclaimed
Buddhas’ Honoured names are
As the morning sun,
Finally dispelling
The year’s dewfall.

Nobusada.

600

The Gentlemen of both Left and Right state: we find no faults with the other team’s poem.

Shunzei’s judgement: the Left’s poem, saying, ‘A fleeting dream I feel’ (hakanaki yume wa oboenuran) leading to ‘The three worlds’ Buddhas’ bells yet sound’ (miyo no hotoke no kane no hibiki) is particularly fine in configuration and conception [sugatakotoba kotoni yoroshiku koso]. The Right’s poem, too, starting ‘Buddhas’ Honoured names are as the morning sun’ (hotoke no mina wa asahi nite) and then having ‘Finally dispelling the year’s dewfall’ (yagate kieyuku hito tose no tsuyu) is reminiscent of the passage from the Samantabhadra Contemplation Sutra ‘many sins are like frost or dew – one can avoid and extinguish them with the sun of the Buddha’s blessings’; both poems move the heart and so I cannot say which is better or worse. Thus, the round ties.

Winter II: 19

Left (Win).

冴ゆる夜に鴛鴦の衾を方敷きて袖の氷を拂ひかねつゝ

sayuru yo ni
oshi no fusuma o
katashikite
sode no kōri o
haraikanetsutu
On a freezing night
Beneath my duck-down bedding
I lie alone;
The ice upon my sleeve
I can never brush away…

A Servant Girl.

577

Right.

木の葉をや鳥の上毛に殘すらん閨の衾も冴ゆる霜夜に

ko no ha o ya
tori no uwage ni
nokosuran
neya no fusuma mo
sayuru shimo yo ni
Are there any leaves
Left by the birds
For extra feathers?
The bedding in my chamber
Is frozen with frost tonight…

Jakuren.

578

Neither Left nor Right have anything in particular to say.

Shunzei’s judgement: I wonder about accepting the Left’s ‘Beneath my duck-down bedding I lie alone’ (oshi no fusuma o katashikite). The strengths and weaknesses are plain, and so there is not much more to say than that. The Left wins.

Winter II: 13

Left.

山里の寂しさ思ふ煙ゆへ絶え絶え立てる峯の椎柴

yamazato no
sabishisa omou
keburi yue
taedae tateru
mine no shiishiba
That mountain dwelling’s
Loneliness feeling,
The smoke,
Rising in sporadic strands:
The brushwood on the peak…

A Servant Girl.

565

Right (Win).

冬籠る草の戸ざしは霜枯れてま近き山の峯の椎柴

fuyugomoru
kusa no tozashi wa
shimogarete
majikaki yama no
mine no shiishiba
Sealed in winter
The blockading grasses are
Seared by frost, and
How much closer is the mountain
Peak’s brushwood.

Jakuren.

566

Both teams say that the conceptions of the two poems resemble each other closely [kokoro hōfutsu].

Shuzei’s judgement: The Left, by starting, ‘That mountain dwelling’s loneliness feeling, the smoke’ (yamazato no sabishisa omou keburi yue) sounds as if it is the brushwood itself which has some sensitivity to the situation, and are rising up from time to time. I wonder about that. The Right’s evergreen groves ‘nearing the mountain’ (majikaki yama) is what should win.

Winter II: 12

Left (Win).

清水もる谷の戸ぼそも閉ぢはてゝ氷を叩く嶺の松風

shimizu moru
tani no toboso mo
tojihatete
kōri o tataku
mine no matsukaze
Where spring waters flow
From out the valley mouth
Is stopped;
Against the ice strikes
The wind from off the pine-filled peaks.

A Servant Girl.

563

Right.

梢にも夜半の白雪積もるらし音弱り行嶺の松風

kozue ni mo
yowa no shirayuki
tsumorurashi
oto yowariyuku
mine no matsukaze
The treetops, too,
Within the snows tonight
Are buried, it seems:
The sounds have softened of
The wind from off the pine-filled peaks.

Nobusada.

564

Neither Left nor Right find any fault.

Shunzei’s judgement: The phrasing of both poems, such as ‘wind from off the pine-filled peaks’ (mine no matsukaze), ‘Against the ice strikes’ (kōri o tataku) and ‘sounds have softened’ (oto yowariyuku), has not particular strong or weak points [kōotsu nakuhaberedo], but still, ‘against the ice strikes’ seems a little superior.

Winter II: 6

Left (Tie).

雲深き嶺の朝明けのいかならん槇の戸白む雪の光に

kumo fukaki
mine no asake no
ika naran
maki no to shiramu
yuki no hikari ni
Deep within the clouds,
Morning to the peaks must come,
But how? I wonder,
With whitening round my cedar door,
Brightened by the snow…

A Servant Girl.

551

Right.

眺めやる衣手寒し有明の月より殘る峰の白雪

nagameyaru
koromode samushi
ariake no
tsuki yori nokoru
mine no shirayuki
Gazing on,
How chill my sleeves;
The dawntime
Moon will linger less than
The snowfall on the peaks…

Jakuren.

552

Both teams say they find the other’s poem moving.

Shunzei’s judgement: The Left’s poem has ‘deep snow’ (yuki fukaki), ‘whitening round my cedar door’ (maki no to shiramu), and the Right has ‘the dawntime moon will linger less than’ (ariake no tsuki yori nokoru) – the conception and diction of both are splendid [kokoro kotoba tomo ni yoroshiku koso haberumere]. It seems to me that is exactly how winter mornings are. Thus, it is difficult to say which is better. This must be a good tie [yoki ji].

Winter I: 30

Left (Win).

芹河の浪も昔に立かへり御幸絶えせぬ嵯峨の山嵐

serikawa no
nami mo mukashi ni
tachikaeri
miyuki taesenu
saga no yama’arashi
Seri River’s
Waves, too, in ancient times,
Would rise and fall;
A Progress as endless as
The storm winds on Mount Saga.

A Servant Girl.

539

Right.

御幸せし野邊の古道踏み分て跡絶えせぬは芹川の水

miyuki seshi
nobe no furumichi
fumiwakete
ato taesenu wa
serikawa no mizu
A progress passed
Across the plain’s old trails,
Well trod,
The traces will endure
As do the waters of Seri River…

Lord Takanobu.

540

Neither team finds any fault this round.

Shunzei’s judgement: Both poems have the conception [kokoro] of ‘Seri River’ (serikawa) and ‘endless Progress’ (miyuki taesenu), and there is not much between them in terms of winning or losing, but the Left’s ‘storm winds on Mount Saga’ (saga no yama’arashi) seems to blow a bit more strongly today!

Winter I: 19

Left (Win).

風寒み今日も霙の降る里は吉野の山の雪げなりけり

kaze samumi
kyō mo mizore no
furu sato wa
yoshino no yama no
yukige narikeri
A chill breeze brings
Sleet, today,
Falling as on the ancient estate on
Yoshino mountain
Did snows fall once…

A Servant Girl.

517

Right.

嵐吹く木葉こきまぜ霙降りさびしかりける山の奧かな

arashi fuku
konoha kokimaze
mizore furi
sabishikarikeru
yama no oku kana
The storm wind blows
Leaves mixed in with
Falling sleet;
How lonely it is
Here within the mountains…

Takanobu.

518

Neither team finds any fault with the other’s poem this round.

Shunzei’s judgement: The Left’s ‘Sleet, today, falling as on the ancient estate’ (kyō mo mizore no furu sato wa), preceding ‘on Yoshino mountain did snows fall once’, reflects the conception of ‘Where once I lived, to the mount of Yoshino was so close’ (Furusato Fa yosino no yama si tikakereba) and seems splendid [ito yoroshiku miehabere]. The Right’s ‘How lonely it is here within the mountains’ (sabishikarikeru yama no oku kana) as a final section is most acceptable in terms of style [mottomo shokisubeki no tei], but the initial ‘leaves mixed in’ (konoha kokimaze) sounds as if this had been done with some human hand. Thus, the Left with matched initial and final sections, must win.