Tag Archives: clouds

Love V: 17

Left (Win).
悲しきは境異なる中として亡き玉までもよそに浮かれん

kanashiki wa
sakai kotonaru
naka to shite
naki tama made mo
yoso ni ukaren
How sad it is:
Beyond the borders of this life
Should our bond endure
Even your departed soul
So distant, would I trail after…

Lord Sada’ie
873

Right.
忘れずよ幾雲井とは知らねども空行月の契ばかりは

wasurezu yo
iku kumoi to wa
shiranedomo
sora yuku tsuki no
chigiri bakari wa
I will not forget!
How far beyond the clouds you are
I know not, yet
As the moon across the skies,
Is my simple vow to you…

Jakuren
874

Left and Right: no faults to mention.

In judgement: although the Left’s poem sounds a little over-familiar, it certainly does have conception. The Right’s poem does sound smooth, but the origin poem has ‘Forget me not’ (wasuru na yo) – and this has ‘I will not forget’ (wasurezu yo) – the origin poem has ‘for distant as the clouds’ (hodo wa kumoi ni) – and this has ‘how far beyond the clouds’ (iku kumoi to wa); and ‘as the moon across the skies’ (sora yuku tsuki no) is identical, so the only part which as been changed is ‘I shall return – ‘til then’ (meguri au made). It is only to be expected that it would sound good, given that it presents much of the same material in the same order. The Left should win.

SKS IX: 303

Composed when he held a poetry competition at his house.

よもすがら富士の高嶺に雲きえて清見が関にすめる月かな

yomosugara
Fudi no takane ni
kumo kiete
kiyomi ga seki ni
sumeru tuki kana
All through this night
From the mighty peak of Fuji
Have the clouds cleared, and
Above the barrier of Kiyomi
Brightly shines the moon.

Akisuke, Master of the Left Capital Office
左京大夫顕輔

Love IV: 18

Left (Win).
雲となり雨となるてふ中空の夢にも見えよ夜半ならずとも

kumo to nari
ame to naru chō
nakazora no
yume ni mo mieyo
yowa narazu tomo
Whether you become clouds, or
Whether you become rain
In the heart of the heavens
Let me glimpse you in a dream,
Though nighttime it is not…

Lord Ari’ie.
815

Right.
暮ぬ間はかゝりせばや山鳥も夜半に思ひに契り變へけん

kurenu ma wa
kakariseba ya
yamadori mo
yowa ni omoi ni
chigirikaeken
The hours with no darkness:
Is it because they are so?
As the pheasants do
At night to thoughts of love
Can we vow to turn?

Ietaka.
816

The Right state: we find no particular faults to mention. The Left state: the mention of ‘pheasants’ (yamadori) comes a bit abruptly, does it not?

In judgement: the style of the Left’s poem sounds utterly elegant and beautiful. The Right’s mention of ‘pheasants’ is unnecessary. Thus, the Left wins.

GSS III: 117

After a man who was of a mind to become a monk had travelled to Yamato province and been there for some time, when a lady whom he had known before sent to him, enquiring how the cherry blossoms had been blooming lately.

みよし野の吉野の山の桜花白雲とのみ見えまがひつゝ

miyosino no
yosino no yama no
sakurabana
sirakumo to nomi
miemagaFitutu
In fair Yoshino
On Yoshino mountain,
The cherry blossom
Simply for clouds of white
I do always mistake!

Anonymous

Love III: 8

Left (Win).

天川秋の七日を眺めつゝ雲のよそにも思ひけるかな

ama no kawa no
aki no nanoka o
nagametsutsu
kumo no yoso ni mo
omoikeru kana
On the River of Heaven, in
Autumn on the Seventh Day
I turn my gaze
For beyond the clouds
Fly my thoughts…

Lord Ari’ie.

735

Right.

かゝりける契ならずは七夕の心のほどをいかで知らまし

kakarikeru
chigiri naraba
tanabata no
kokoro no hodo o
ikade shiramashi
If such
A bond as ours, it was not,
The celestial lovers’
Hearts
I could never understand.

Ietaka.

736

Both Left and Right state: we find no faults to mention, other than the old-fashioned nature of this poem

In judgement: the Left’s poem seems to sound well. It should win.