Tag Archives: high peak

Mimosugawa uta’awase 13

Round Thirteen

Left

山がつのかた岡かけてしむるののさかひにたてる玉のを柳

yamagatsu no
kataoka kakete
shimuru no no
sakai ni tateru
tama no oyanagi
A mountain man
Clinging to the slopes
Marking out his meadows,
Standing on the border,
Jewelled tiny willow threads.[i]

25

Right (Win)

ふりつみしたかねのみ雪とけにけり清滝河の水のしらなみ

furutsumishi
takane no miyuki
tokenikeri
kiyotakigawa no
mizu no shiranami
Fallen and drifted,
The fair snows on the high peaks
Have melted;
The Kiyotaki River’s cataracts bring
White caps to the waters…

26

The Left poem has a rare style and give me the impression that it is a realistic depiction, but I do wonder about the use of ‘tiny’ in the final line—does one really compose this way? The configuration of the Right poem is extremely charming, and so I say it wins.


[i] See:

Composed on ‘willows by a fence’ for the Poetry Match held at the residence of His Excellency, Supernumerary Middle Counsellor Toshitada.

あたらしやしづの柴垣かきつくるたよりにたてる玉のをやなぎ

atarashi ya
shizu no shibagaki
kakitsukuru
tayori ni tateru
tama no oyanagi
How regrettable!
A peasant’s brushwood fence
Fenced in
With the support of
Jewelled tiny willow threads…

Minamoto no Nakamasa
Tsukimōdeshū 83

Reikeiden no nyōgo uta’awase 06

Fresh Herbs

Left (Tie)

みわたせばひらのたかねにゆききえてわかなつむべくのはなりにけり

miwataseba
hira no takane ni
yuki kiete
wakana tsumubeku
no wa narinikeri
When I gaze across
To the high peak of Hira,
The snow has vanished, and
I might pick fresh herbs
From the meadow it has become.

Kanemori
11[i]

Right

はるの野のわかなはきみがためにこそおほくのとしをつまむとはおもへ

haru no no no
wakana wa kimi ga
tame ni koso
ōku no toshi o
tsumamu to wa omoe
In the springtime meadows
Fresh herbs, for my Lord’s
Sake, indeed,
In many a year
Will I pick, I feel!

12

The Right’s poem was inferior, but tied as it contained an element of Felicitation.


[i] This poem is included in Shoku gosenshū (I: 34), attributed to Kanemori, with the headnote ‘A poem from the Poetry Match held by the Reikeiden Junior Consort’.

Naidaijin-ke uta’awase 10

Round Ten

Left (T – Tie)

波よする蜑の苫やのひまをあらみもるにてぞしるよはのしぐれは

nami yosuru
ama no tomaya no
hima o arami
moru nite zo shiru
yowa no shigure wa
Waves break near
A sedge-thatched hut’s
Crude gaps
The leaks reveal
A midnight shower…

Lord Tadafusa
19

Right (M – Win)

ゆふ月よいるさの山の高根よりはるかにめぐる初しぐれかな

yūzukuyo
irusa no yama no
takane yori
haruka ni meguru
hatsushigure kana
On a moonlit night
From Irusa Mountain’s
High peak
In the distance circles
A first shower!

Lord Kanemasa
20

Toshiyori states: in the first poem, the shower sounds chilly! A shower is not something that one hears after getting up at dawn, yet this poem says that one first gets to know about it from the leaks, it seems that the poet has gone to bed, been leaked on, had his garments soaked and then got up and made a fuss. If he has not been leaked upon is this something he heard from someone else the following day? It really is very unclear. There’s a poem ‘Together with me / On my mountain pilgrimage’ which refers to showers falling on this mountain. The poem here refers to the same peak, so it sounds as if it’s referring to monks going around. Is that what it’s about? I am not just finding fault for the sake of it—these poems are unclear. As there’s only so much that can be understood from hearing them, they should tie.

Mototoshi states: one can compose about a shower falling anywhere and there’s no need to bring up a fisherman’s sedge-thatch hut, is there! Furthermore, one gets to know about a shower from the sound of it falling constantly on something like a roof of cedar boards, surely? Would one really be startled by rain of varying intensity falling soundlessly in spring? As for the poem of the Right, while it does not display a playfulness which would please the eye, ‘In the distance circles / A first shower’ is a bit better in the current context.

San’i minamoto no hirotsune ason uta’awase 7

A profusion of deutzia flowers in full bloom

Left

白妙に卯花さけるかきねをばつもりし雪とおもひけるかな

shirotae ni
u no hana sakeru
kakine o ba
tsumorishi yuki to
omoikeru kana
A spread of white mulberry cloth,
The deutzias have bloomed
Along my brushwood fence
Drifting snow is piled, or
So it seems!

Minamoto no Narikata
13

Right

みわたせばたかねののべのうつぎ原みな白妙にさきにけるかな

miwatseba
takane no nobe no
utsugiwara
mina shirotae ni
sakinikeru kana
When I gaze across
The high-peak meadows
A field of deutzia,
All as white as mulberry cloth,
Have bloomed there.

Ōe no Fumi’ichi
14