Left
夏の月ひかりをしまず照る時はながるる水にかげろふぞたつ
natsu no tsuki hikari o shimazu teru toki wa nagaruru mizu ni kagerō zo tatsu When summer moon’s Light lightly Shines From the running waters Haze arises!
74
Right
琴の音にひびきかよへる松風はしらべても鳴く蝉の声かな
koto no ne ni hibikikayoeru matsukaze wa shirabetemo naku semi no koe kana A zither’s strains Echoing back and forth: The wind through the pines, In tune with the cries In the cicadas’ song!
75[1]
[1] Shinshūishū III: 303/Shinsen man’yōshū 73/Kokin rokujō I: 398/Fubokushō IX: 3584
Left
なつの夜は水やまされる天の河ながるる月のかげもとどめぬ
natsu no yo wa mizu ya masareru ama no kawa nagaruru tsuki no kage mo todomenu On a summer night Is it that the waters are so fine Of the River of Heaven? Drifting, the moon’s Face, too, tarries not.
61[1]
Right
去年の夏鳴きふるしてし郭公それかあらぬかこゑのかはらぬ
kozo no natsu nakifurusiteshi hototogisu sore ka aranu ka koe no kawaranu Last summer Did you sing as if there’d be no other, O, cuckoo; Is it you, or another, For your song is quite unchanged.
62[2]
[1] A minor variant of this poem, with a headnote identifying it as being from this contest, is included in Shokugosenshū (IV: 214): 夏の夜は水まさればやあまのがはながるる月のかげもとどめぬ natsu no yo wa / mizu masareba ya / ama no kawa / nagaruru tsuki no / kage mo todomenu ‘On a summer night / Perhaps, because the waters are so fine / Of the River of Heaven? / Drifting, the moon’s / Face, too, tarries not.’
[2] Kokinshū III: 159/Shinsen man’yōshū 63
Left
水のうへにあやおりみだる春雨や山のみどりをなべてそむらん
mizu no ue ni aya orimidaru harusame ya yama no midori o nabete somuran Upon the waters A confusing pattern paints The rain of spring— Will it now the mountains All dye with green, I wonder?
19[1]
Right
色ふかくみる野辺だにも常ならば春は行くともかたみならまし
iro fukaku miru nobe dani mo tsune naraba haru wa yuku tomo katami naramashi Deep the hues On display within the meadows—if that Should be the norm, then Even when the spring is gone A keepsake they would be.
20[2]
[1] Shinsen man’yōshū 1/Kokin rokujō I: 460/A minor variant of this poem also occurs in Shinkokinshū (I: 65), where it is attributed to Ise: 水のおもにあやおりみだる春雨や山のみどりをなべてそむらん mizu no omo ni / aya orimidaru / harusame ya / yama no midori o / nabete somuran ‘Upon the water’s surface / A confusing pattern paints / The rain of spring— / Will it now the mountains / All dye with green, I wonder?’
[2] Shinchokusenshū II: 89
Round Twelve
Left
冬の夜の月はとほくやわたりけんかげみしみづのまづしこほれば
fuyu no yo no tsuki wa tōku ya watariken kage mishi mizu no mazu shi kōreba On a winter’s night Does the moon distantly Pass by? For The waters where I saw its face Are the first to freeze…
22
Right
ながれくるみづこほりぬる冬さへやなほうき草のあとはさだめぬ
nagarekuru mizu kōrinuru fuyu sae ya nao ukikusa no ato wa sadamenu Flowing down The waters have frozen With the winter, so will The drifting waterweed still Leave little trace?
23
つらしともいざやいかがはいはし水あふせまだきにたゆる心は
tsurashi to mo iza ya ikaga wa iwashimizu ause madaki ni tayuru kokoro wa How cruel! Why as Spring waters rushing from the rocks did Our meeting swiftly Did you wish to end?
Kazusa, in service to the Empress 23
In reply
世世ふともたえじとぞ思ふ神がきの岩ねをくぐる水の心は
yo yo futomo taeji to zo omou kamigaki no iwane o kuguru mizu no kokoro wa Age upon age may pass, yet Never shall we end, I feel, as from The sacred precinct’s Rocky roots flow Waters—that is my heart!
24
This match took place when, hearing that his courtiers were composing poetry, His Majesty ordered them to compose love poems to the ladies in attendance.
おもひあまりいかでもらさんおく山の岩かきこむる谷の下みづ
omoi’amari ikade morasan okuyama no iwa kakikomuru tani no shitamizu My passion’s full, so How should it o’erflow? Deep within the mountains Hemmed in by crags are The waters of the valley floor…
Major Counsellor Kinzane 1
In reply
いかなれば音にのみきく山川の浅きにしもはこころよすらん
ika nareba oto ni nomi kiku yamakawa no asaki ni shimo wa kokoro yosuran For some reason, I simply hear the sound Of a mountain stream; Into the shallows, indeed, has Your heart been swept, it seems!
[Nakako,] The Suō Handmaid 2
Icicles
山ざとは谷の下水つららゐていはうつ浪の音だにもせず
yamazato wa tani no shitamizu tsurara ite iwa utsu nami no oto dani mo sezu At a mountain retreat The waters in the valley below Have turned to icicles, and Of waves striking the rocks There is no sound, at all.
Morotoki
Love
Left
恋せじと御手洗川に御祓して神うけつらんとおもほゆるかな
koi seji to mitarashigawa ni oharaishite kami uketsuran to omohoyuru kana I’ll not fall in love, and At the River Mitarashi Purify myself— Would the gods then accept me, I wonder!
25
恋なれどそこにもすまぬひれはみづにごれりとおもほゆるかな
koi naredo soko ni mo sumanu hire wa mizu nigoreri to omohoyuru kana This is love, yet The deeps are all disturbed, with Fins the waters Clouding, I feel!
26
こひわたる程のふかさにそめ川の色あさからじとおもほゆるかな
koiwataru hodo no fukasa ni somekawa no iro asakaraji to omohoyuru kana So long have I loved you that The depths of Dyers’ River have Lost their pale hues I feel!
27
Right
おもふとて夕ぐれがたのながめをや人待つほどの恋といふらん
omou tote yūguregata no nagame o ya hito matsu hodo no koi to iuran Thinking of him As evening draws on, and I gaze on long rains falling; is Time pining for a man Being in love, I wonder?
28
年の内にあまる月日の有りければかぞへのうちにははわぶるかな
toshi no uchi ni amaru tsuki hi no arikereba kazoe no uchi ni haha waburu kana Throughout the year The days and months mount up So Counting them My mother grieves!
29
The depth of colour of spring waters (春水添色深)
Left (Win)
水のいろをそめては深くみゆれども春はよどまぬものにざりける
midu no iro wo somete Fa Fukaku miyuredomo Faru Fa yodomanu mono ni zarikeru The waters’ hues So deeply dyed Do appear that Spring ever unclouded Truly ever will be.
3
Right
春のいろは底なき水にそへりとも流れて深くあらむとぞ思ふ
Faru no iro Fa soko naki midu ni soFeri tomo nagarete Fukaku aramu to zo omoFu The hue of spring across Bottomless waters Does lie, and yet How deeply must they flow I wonder?
4
The Empress Dowager’s reply:
みづのえのかたみとおもへどうぐひすの花のくしげはあけてだにみず
midu no e no katami to omoFedo uguFisu no Fana no kusige Fa akete dani mizu By the waters’ edge A keepsake, I thought this was, yet The warbler’s Comb box of blossom on Opening, I see not within…
The Shichijō Empress
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'Simply moving and elegant'