Tag Archives: shower

Naidaijin-ke uta’awase 04

Round Four

Left (M – Win)

水鳥の青葉の山やいかならん梢をそむる今朝のしぐれに

mizutori no
aoba no yama ya
ika naran
kozue o somuru
kesa no shigure ni
Waterfowl fly above
Aoba Mountain—
O, what is to become
Of the treetops dyed
By this morning’s shower?

Lord Akinaka
7

Right (T – Win)

かきくもり蜑の小ぶねにふく苫の下とほるまで時雨れしにけり

kakikumori
ama no obune ni
fuku toma no
shita tōru made
shigureshinikeri
Clouds rake in above
The fisher’s tiny boat—
Through its rush-woven roof
And even beneath
A shower has fallen.

Lord Michitsune
8

Toshiyori states: Continuing on from ‘Waterfowl fly above / Aoba Mountain’ with ‘the treetops dyed’ is simple and straightforward. The latter poem’s emphasis on the fisher’s tiny boat is an unexpected expression, yet because it is not a fault, I make this poem the winner.

Mototoshi states: saying ‘Waterfowl fly above / Aoba Mountain’ is extremely hackneyed, yet the poem of the Right has ‘Clouds rake in above / The fisher’s tiny boat— / Through its rush-woven roof’: both spring showers and summer ones, too, are not things which fall constantly, so it is difficult to believe that they could fall ‘even beneath’. So, I have to determine that a shower dyeing the treetops is a little better.

Naidaijin-ke uta’awase 02

Round Two

Left (T – Tie; M – Win)

あやしくも時雨にかへる袂かなゐなの笠はらさして行けども

ayashiku mo
shigure ni kaeru
tamoto kana
ina no kasawara
sashite yukedomo
How strange that
From the shower I shelter
Beneath my sleeves!
Though into the umbrella of the dwarf-bamboo groves of Ina
Is where I’m heading…

A Court Lady
3

Right

ぬるれども嬉しくもあるか紅葉ばの色増す雨の雫とおもへば

nuredomo
ureshiku mo aru ka
momijiba no
iro masu ame no
shizuku to omoeba
Soaked, yet
Happy am I!
For the scarlet leaves
Take on brighter hues with these rain
Drops, I feel…

Lord Akikuni
4

Toshiyori states: The first poem’s section on ‘the umbrella of the dwarf-bamboo groves of Ina’ is well expressed, but then is ‘shower I shelter’ referring to clothing? The second poem can be read as meaning that the speaker is happily being soaked by raindrops standing beneath scarlet leaves on one particular day, but getting drenched by any old shower, even if it’s one which stains leaves scarlet is not something that would make one happy and, sounds tedious. Both poems sound vague, so they should tie.

Mototoshi states: ‘the shower I shelter / Beneath my sleeves’ is better than ‘Happy am I!’

Naidaijin-ke uta’awase 01

Showers

Round One

Left (Win – Both judges)

終夜嵐の音にたぐひつつ木の葉とともに降るしぐれかな

yomosugara
arashi no oto ni
taguitsutsu
ko no ha to tomo ni
furu shigure kana
All night long
The sound of storm winds
Is laced
With that of leaves and
Falling showers!

Lady Settsu, in service to the Empress
1

Right

おぼつかないかにしぐるる空なればうらごの山のかたみなせなる

obotsukana
ika ni shigururu
sora nareba
urago no yama no
kataminase naru
How puzzling it is!
What sort of shower
From the skies is it that
Makes Urago Mountain
Show such a thing?

Lord Toshiyori
2

Toshiyori states: While the conception and diction of the first poem are not that unusual, it appears to have no errors to indicate. The second poem’s choice of diction—using ‘show such a thing’—is vague: I wonder if when composing about this mountain that’s what one does? Nevertheless, the assembled company have stated that ‘Urago Mountain’ feels unpoetic as a piece of diction, and thus I make the Left the winner.

Mototoshi states: I feel that ‘With that of leaves and / Falling showers!’ is a moving and charming conception, but find it impossible to understand why Urago Mountain should ‘show such a thing’ in the poem of the Right! I have to say that the Left is superior.

Sumiyoshi-sha uta’awase kaō ni-nen 50

Round Twenty-Five

Left

うちしぐれものさびしかるあしのやのこやのねざめにみやここひしも

uchishigure
mono sabishikaru
ashi no ya no
koya no nezame ni
miyako koishi mo
A slight shower is
All the more lonely
In a reed-roofed
Hut in Koya, starting awake and
Longing for the capital more…

Lord Sanesada
99

Right

あはれにもよはにすぐなるしぐれかななれもやたびのそらにいでつる

aware ni mo
yowa ni sugu naru
shigure kana
nare mo ya tabi no
sora ni idetsuru
How sad is
At midnight a passing
Shower!
Have you, too, on a journey
Into the skies departed?

Lord Toshinari
100

The configuration of the Left’s poem, beginning with ‘All the more lonely’ and concluding with ‘Longing for the capital more’, has already penetrated the boundaries of mystery and depth. It sounds particularly pleasant. The poem of the Right is the judge’s own meagre work. Thus, in accordance with precedent I shall refrain from rendering a judgement.

Sumiyoshi-sha uta’awase kaō ni-nen 49

Round Twenty-Four

Left (Win)

かぜのおとにわきぞかねましまつがねのまくらにもらぬしぐれなりせば

kaze no oto ni
waki zo kanemashi
matsu ga ne no
makura ni moranu
shigure nariseba
The gusts of wind
I cannot tell apart from
The rustle of the pines roots
For my pillow should no drips
From the shower fall…

Lord Sanefusa
97

Right

たびのいほはあらしにたぐふよこしぐれしばのかこひにとまらざりけり

tabi no io wa
arashi ni taguu
yoko shigure
shiba no kakoi ni
tomarazarikeri
My traveller’s hut
Is lashed by the storm wind’s
Sideways showers—
The brushwood walls
Halt it not at all.

Lord Yorimasa
98

The conception and configuration of the poem of the Left, starting ‘I cannot tell apart from / The rustle of the pines’ and continuing ‘For my pillow should no drips / From the shower fall’ is, once again, truly exceptional! As for the poem of the Right, while it appears to have a charming style and use of diction, even if it is the case that ‘sideways showers’ are a genuine phenomenon, it fails to sound particularly elegant, doesn’t it. In addition, the latter section of the poem, ‘the brushwood walls’, feels slightly lacking in conception. Thus, I make the Left the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 48

Round Twenty-Three

Left (Win)

もしほぐさしきつのうらのねざめにはしぐれにのみやそではぬれける

moshiogusa
shikitsu no ura no
nezame ni wa
shigure ni nomi ya
sode wa nurekeru
Salt-seaweed grasses grow
On the beach at Shikitsu where
On waking is it
By the showers alone
That my sleeves have dampened?

Dharma Master Shun’e
95

Right

たびねにははにふのこやのいたびさししぐれのするぞさやにきこゆる

tabine ni wa
hanyū no koya no
itabisashi
shigure no suru zo
saya ni kikoyuru
Sleeping on my travels
On an ochre clay hut’s
Veranda boards
The falling of a shower
Sounds striking!

Lord Sanekuni
96

The Left’s ‘Salt-seaweed grasses grow / On the beach at Shikitsu’ is certainly particularly charming, and really what one should say. The concluding section’s ‘By the showers alone?’, too, does not seem simplistic in conception and diction. As for the Right, while it is not the case that at ‘an ochre clay hut’s…a shower..would sound striking’ has no point to it, the Left’s poem is particularly pleasant. Thus, it wins.

Sumiyoshi-sha uta’awase kaō ni-nen 47

Round Twenty-Two

Left

いなむしろしきつのうらのまつかぜはもりくるをりぞしぐれともしる

inamushiro
shikitsu no ura no
matsukaze wa
morikuru ori zo
shigure to mo shiru
A straw mat spread
At Shikitsu Bay, where when
On the wind through the pines
Come dripping droplets
I know a shower is falling!

Lord Kiyosuke
93

Right (Win)

おほぞらもみやこのかたをしのぶらしこよひはことにうちしぐれつつ

ōzora mo
miyako no kata o
shinoburashi
koyoi wa koto ni
uchishiguretsutsu
The heavens, too,
Of the capital
Think fondly, it seems,
For tonight is especially
Filled with constant showers…

Lord Sanetsuna
94

The poem of the Left appears to have a pleasant conception, blending showers with the wind through the pines and saying, ‘Come dripping droplets / I know a shower is falling!’, but it appears that the straw mat has only been spread because of the reference to Shikitsu [spreading] Bay. Considering the actual nature of a straw mat, however, I do not feel that the sense links with Shikitsu Bay, although it would be charming if sleeping on a journey in the shade of the willows beside a river, or even in a hut among the rice-fields. I do not feel it is appropriate to spread a straw mat beneath the pines at Sumiyoshi. In addition, it is only the straw mat here which has the conception of a journey—how should one feel about that? The configuration of the Right’s poem, beginning with ‘The heavens, too’ and following with ‘Of the capital / Think fondly, it seems’, I would say is a poem for a poetry match. While a counter-argument has been made about the Left’s poem, it’s really asking for the impossible, isn’t it. So, I impose victory for the Right.

Sumiyoshi-sha uta’awase kaō ni-nen 44

Round Nineteen

Left (Win)

くさまくらおなじたびねのそでにまたよはのしぐれもやどはかりけり

kusamakura
onaji tabine no
sode ni mata
yowa no shigure mo
yado wa karikeri
Needing a grassy pillow
When travelling just the same as I, dozing
I find my sleeves drenched even more,
For the midnight shower, too,
Has found lodging.

Kojijū
87

Right

いほりさすやまぢはすぎぬはつしぐれふるさとまでやめぐりゆくらむ

iori sasu
yamaji wa suginu
hatsushigure
furusato made ya
meguriyukuramu
I put up my hut
Upon the mountain path that you passed by,
O, first shower!
As far as my ancient home
I wonder, will you make your way?

Lord Sanemori
88

The poem of the Left, saying ‘When travelling just the same as I dozing, / I find my sleeves drenched even more’ and then following this with ‘For the midnight shower, too, / Has found lodging’, has an extremely charming conception and configuration. In addition to the poem of the Right also having a charming conception, it begins with ‘O, first shower!’ and then continues, ‘As far as my ancient home’, which is an effective use of diction. Nevertheless, the conception of the Left’s poem is even better and it wins.

Sumiyoshi-sha uta’awase kaō ni-nen 42

Round Seventeen

Left (Win)

こよひしもあやにくにふるしぐれかなまばらにさせるしばのいほりに

koyoi shimo
ayaniku ni furu
shigure kana
mabara ni saseru
shiba no iori ni
Of all nights
How unfortunate it is that falls
A shower!
Upon my crudely erected
Brushwood hut!

Lord Kinshige
83

Right

くさまくらつゆけきたびのくれはとりあやにくにまたしぐれふるなり

kusamakura
tsuyukeki tabi no
kurehatori
akaniku ni mata
shigure furu nari
My grassy pillow is
Dew-drenched on my travels
At Kurehatori—the weaver’s town!
How warped that still
A shower falls here!

Enjitsu
84

Both Left and Right have their showers falling unfortunately, and the poem of the Right starts with ‘Kurehatori’ and continues with ‘warped’ which sounds charming, but to mention ‘dew-drenched travels’ and follow this with Kurehatori give a somewhat unexpected impression. The Left lacks anything as individual as Kurehatori’s warp, but ‘crudely erected’ is a direct description and, thus I could make the Left the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 38

Round Thirteen

Left

しぐれもるたびねのとこははなぞめのたもとぞさきにまづかへりける

shigure moru
tabine no toko wa
hanazome no
tamoto zo saki ni
mazu kaerikeru
A shower drips upon me
As I doze upon my journey-bed;
Blossom-dyed,
My sleeves, before me,
Have first returned to what they were!

Masahira
75

Right (Win)

はなれゆくみやこをおもふひとりねのなみだをさそふはつしぐれかな

hanareyuku
miyako o omou
hitorine no
namida o sasou
hatsushigure kana
Distant has grown
The capital, but it fills my thoughts,
Sleeping solo,
My tears invited by
The first shower!

Chikashige
76

The configuration of the Left’s poem appears charming, but it would have sounded more so had there been a reason why ‘my sleeves, before’ had returned to the capital on the journey. The diction and conception of the Right’s poem, beginning with ‘distant has grown’ and leading to ‘tears invited’, is extremely pleasant. It seems the Right wins.