Tag Archives: mori

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 43

Round Seven

Left (Tie)

色色にそむる紅葉に立田姫心のほどのみえもするかな

iroiro ni
somuru momiji ni
tatsutahime
kokoro no hodo no
mie mo suru kana
In the multitude of shades
Dyeing the scarlet leaves,
Princess Tatsuta’s
Deep thought and care
Can be seen!

Sadanaga
85

Right

いろいろにとり染めてけり立田姫はしむらごなる衣手の杜

iroiro ni
torisometekeri
tatsutahime
hashi muragonaru
koromode no mori
In a multitude of shades
Has her dye taken;
Princess Tatsuta stains
The edges dark and light of
The sacred grove at Koromode.

Lord Suetsune
86

The Left has nothing remarkable about it, and its ending is old-fashioned, I think. The Right, too, seems to be in the eccentric style, and so it’s impossible for me to say anything else about either of them.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 37

Scarlet Leaves

Round One

Left (Win)

山姫やきてふる郷へ帰るらんにしきとみゆる衣手の杜

yamahime ya
kite furusato e
kaeruran
nishiki to miyuru
koromode no mori
Does the mountain princess
Wear it, when to her ancient home
Returning?
As brocade does seem
The sacred grove at Koromode…

Lord Shige’ie

73

Right

色色の木木のにしきを立田川ひとつはたにもおりながすかな

iroiro no
kigi no nishiki o
tatsutagawa
hitotsu hata ni mo
orinagasu kana
Many hued is
The trees brocade that
The Tatsuta River’s
Loom into one
Does weave and float along!

Shun’e
74

The Left’s ‘mountain princess’ is normally used, but where is the ‘ancient estate’? As for the Right, when the trees’ brocade is scattered, only then, indeed, can it be woven and made to flow along by a river. A long time ago there was a poem composed which, indeed, began, ‘The scarlet leaves in such confusion / Drift’ and then continued, ‘Were I to ford across, this brocade / Would be split in two, I’d say…’[1] Furthermore, what are we to make of ‘Tatsuta River’s / Loom into one’? There should be reference to a location which has some connection with looms, but to simply shoehorn in ‘Tatsuta River’s / Loom into one’ smacks of pleasing oneself. There is the earlier poem ‘Without a loom / Are brocade’,[2] too. The way in which this poem is constructed is charming, but these features are difficult to ignore, so thus the Left should win, I think.


[1] The poem is Kokinshū V: 283, with the headnote, ‘Topic unknown’. It is officially anonymous, but is accompanied by an endnote stating ‘It is said by some that this poem was composed by the Nara Emperor.’

[2] Topic unknown. から衣たつたの山のもみぢばははた物もなき錦なりけり karakoromo / Tatsuta no yama no / momijiba wa / hatamono mo naki / nishiki narikeri ‘A Cathay robe— / Tatsuta Mountain’s / Scarlet leaves, / Without a loom / Are brocade.’ Anonymous (GSS VII: 386)

SKKS VI: 607

Topic unknown.

冬がれのもりのくちばの霜のうへにおちたる月の影のさむけさ

fuyugare no
mori no kuchiba no
shimo no ue ni
ochitaru tsuki no
kage no samukesa
Withered by winter,
The forests’ rotting leaves are
Frost covered, upon them
The fallen moon
Light is cold, indeed.[i]

Lord Kiyosuke

A kuzushiji version of the poem's text.
Created with Soan.

[i] This poem is an allusive variation on a variant of KKS IV: 184, which appears in some Kokinshū manuscripts: Topic unknown. このまよりおちたる月の影見れば心づくしの秋はきにけり ko no ma yori / ochitaru tsuki no / kage mireba / kokorozukushi no / aki wa kinikeri ‘Between the trees / Dropped moon / Light, seeing it I know / Heart draining / Autumn, has come at last.’ Anonymous.

Yōzei-in uta’awase (Engi jūsan-nen kugatsu kokonoka) 04

Left

神南備のもりによをへて鳴く鹿はすぎゆく秋ををしみとめなん

kamunabi no
mori ni yo o hete
naku shika wa
sugiyuku aki o
oshimi tomenan
In sacred
Forests spending his nights
The belling stag
The passing autumn,
Regretfully, does seem to stay!

7

Right (Win)

こゑたててなくしかばかりをしめどもすぎゆく秋はとまらざらまし

koe tatete
naku shika bakari
oshimedomo
sugiyuku aki wa
tomarazaramashi
Belling out
The crying stag is, simply,
Filled with regret, yet
Autumn, passing by,
I would not have linger on!

8

Kanpyō no ōntoki chūgū uta’awase 6

Round Six

Left

夏山のみねのこずゑのたかければなく郭公こゑかはるかな

natsuyama no
mine no kozue no
takakereba
naku hototogisu
koe kawaru kana
The summer mountain
Peaks have treetops
So high, that
The crying cuckoo’s
Calls stand for them.

11

Right (Win)

おほあらきのもりの下草茂りあひてふかくも夏のなりにけるかな

ōaraki no
mori no shitagusa
moriaite
fukaku mo natsu no
narinikeru kana
In Ōaraki
Forest the undergrowth
Has grown so thick, that
Deep summer is
Surely here!

Mitsune
12