Haze
おしなべて春は来にけりつくばねのこのもとごとに霞たなびく
| oshinabete haru wa kinikeri tsukubane no ko no moto goto ni kasumi tanabiku | To everywhere and anywhere Spring has come! On Tsukuba peak Around the base of every tree, Drifts haze. |

Haze
おしなべて春は来にけりつくばねのこのもとごとに霞たなびく
| oshinabete haru wa kinikeri tsukubane no ko no moto goto ni kasumi tanabiku | To everywhere and anywhere Spring has come! On Tsukuba peak Around the base of every tree, Drifts haze. |

Left
さかざらむものならなくにさくらばなおもかげにのみまだきみゆらむ
| sakazaramu mono naranaku ni sakurabana nao mo kage ni nomi madaki miyuramu | Wishing not to bloom Will not remain The cherry blossom, but Even so their shape alone Swiftly, I would wish to see! |
Mitsune
3
Right
やまざくらさきぬるときはつねよりもみねのしらくもたちまさりけり
| yamazakura sakinuru toki wa tsune yori mo mine no shirakumo tachimasarikeri | When the mountain cherry Has bloomed, Earlier than usual Clouds of white around the peak Do rise spectacularly! |
Tsurayuki
4[i]
The Left uses ‘wish’[ii] twice; the Right places the mountain cherries at a distance—that make the round a tie.
[i] This poem is included in Gosenshū (I: 118), with the headnote, ‘A poem from Former Emperor Uda’s Poetry Contest’.
[ii] Uda is objecting to Mitsune’s double usage of the auxiliary verb -ramu in his judgement here.
Marlberry
Left
あさごとにきりはふれどもあしひきのやまたち花はいろもかはらず
| asa goto ni kiri wa furedomo ashihiki no yamatachibana wa iro mo kawarazu | With every morning The mist rolls down, yet on The leg-wearying Mountains, the marlberry’s Hues remain unchanged. |
13
Right
みねだにやすみうくならんあしひきのやまたち花のみやまゐをせる
| mine dani ya sumi’ukunaran ashihiki no yamatachibana no miyamai o seru | Does even the peak Seem so hard to dwell upon? The leg-wearying Mountain marlberry has Turned the hidden spring a darker hue. |
14
をとこやまみねふみわけてなくしかはへじとやおもふしひてあきには
| otokoyama mine fumiwakete naku shika wa heji to ya omou shiite aki ni wa | Upon Otoko Mountain’s Peak treads A belling stag: I wonder, does he not wish To have to endure the autumn? |
41
をぐらやまみねのもみぢばなにをいとにへてかおりけむしるやしらずや
| ogurayama mine no momijiba nani o ito ni hete ka orikemu shiru ya shirazu ya | On Ogura Mountain’s Peak, the scarlet leaves Somehow, as warp threads Crossing, woven seem— Who knows that? No one, I expect! |
42
Autumn
Left
秋の夜の有明にみれど久堅の月のかつらはうつろはぬかな
| aki no yo no ariake ni miredo hisakata no tsuki no katsura wa utsurouwanu kana | An autumn night’s Dawn I see, yet The eternal Moon’s silver trees Show no sign of fading! |
13
秋萩の花咲く比の白露は下ばのためとわきて置くべし
| aki hagi no hana saku koro no shiratsuyu wa shitaba no tame to wakite okubeshi | In autumn, the bush clover Flowers bloom—just then Silver dewdrops For the under-leaves Do fall, marking every one. |
14
秋風はいなばもそよとふきつめりかりみる程と成りやしぬらん
| akikaze wa inaba mo soyo to fukitsumeri kari miru hodo to nari ya shinuran | The autumn breeze Seems to rustle the rice stalks As it blows; Seeing if ‘tis time to reap them— Is that what it is, I wonder? |
15
Right
銀河とわたる舟は花薄ほにいづるほどぞかげもみゆべき
| ama no kawa towataru fune wa hanasusuki ho ni izuru hodo zo kage mo miyubeki | Across the River of Heaven A boat goes ferrying: When the silver grass Ears burst into bloom, Can its shape be seen. |
16
女郎花さがの花をば色ながら秋をさかりといはれずもがな
| ominaeshi saga no hana oba iro nagara aki o sakari to iwarezu mogana | Maidenflowers: Blossoms from Saga Reveal their hues, and In autumn are most fine—that Goes without saying! |
17
小男鹿の朝たつ霧にうりふ山嶺の梢は色こかりけり
| saoshika no asa tatsu kiri ni urifuyama mine no kozue wa iro kokarikeri | Stags Within the rising morning mist on Urifu Moutain, where The treetops on the peak Have taken darker hues. |
18
From a poetry contest at Sadafun’s house.
みねはもえふもとはこほるふじ川のわれもうき世を住みぞわづらふ
| mine Fa moe Fumoto Fa koForu FuzigaFa no ware mo ukiyo wo sumi zo waduraFu | At the peak it burns and At the foot does freeze: The Fuji River, just as I, too, in this cruel world Live and suffer. |
Fukayabu
This is the sole surviving poem from ‘Sadafumi’s Poetry Contest‘.