Tag Archives: tsukikage

Yasuakira shinnō tachihaki no jin uta’awase 05

Autumn Moon

Left (Tie)

しらつゆのそこにひかりはやどれどもとまらでぞゆくあきのつきかげ

shiratsuyu no
soko ni hikari wa
yadoredomo
tomarade zo yuku
aki no tsukikage
At silver dewdrops
Base its light
Does lodge, yet
Never stays, but departs—
The autumn moonlight.

Fujiwara no Kakena
9

Right

あきのつきこのしたなべてあかければこのもかのものかげだにもせず

aki no tsuki
ko no shita nabete
akakereba
kono mo kano mo no
kage dani mo sezu
When the autumn moon
Aligns beneath the trees
So bright,
Each and every one
Casts no shadow at all.

Miyaji no Sukeon
10

Sumiyoshi-sha uta’awase kaō ni-nen 23

Left (Tie)

すみよしのきしうつなみにてる月はこかげもあかしまつのむらだち

sumiyoshi no
kishi utsu nami ni
teru tsuki wa
kokage mo akashi
matsu no muradachi
At Sumiyoshi
Upon the waves, striking the shore,
Shines the moon—
The shadows of the trees are bright
Among the crowding pines.

Chūnagon, in service to the Former Ise Virgin[1]
45

Right

としふりてかみさびにけるすみのえのきしのたまもをみがく月かげ

toshi furite
kamisabinikeru
suminoe no
kishi no tamamo o
migaku tsukikage
Ancient in years is
The dread
Suminoe
Shore, where gemweed
Is polished by the moonlight.

Novice Sokaku[2]
46

The Left’s poem has a truly charming conception, with ‘Upon the waves, striking the shore, / Shines the moon’ reflecting and making the pines’ shadows shine. However, what are we to make of the use of ‘bright’ here? My late master once stated that he had too often heard such diction being used. The poem of the right appears to have pleasant configuration and diction, but, while it is only natural to say that the Suminoe’s shore is dread, I wonder about the appropriateness of going so far as to say that gemweed is? It’s going a bit far, I think, to bring in ‘gemweed’ simply to link it to ‘polish’. Nevertheless, the configuration of the poem appears pleasant, so I call this a tie.


[1] Zen-saigū no Chūnagon前斎宮中納言

[2] Shami Sokaku沙弥素覚

Sumiyoshi-sha uta’awase kaō ni-nen 21

Round Twenty-One

Left

ひさかたの月もひかりをやはらげてしめのうちにはすむにやあるらむ

hisakata no
tsuki mo hikari o
yawaragete
shime no uchi ni wa
sumu ni ya aruramu
The eternal
Moon, too, his light
Has softened, that
Within the sacred grounds
Should be more clear, perhaps?

Lord Fujiwara no Asamune
Supernumerary Governor of Suruga
Junior Fifth Rank, Lower Grade[1]
41

Right (Win)

月かげをゆきかとみればすみよしのあけのたまがきいろもかくれず

tsukikage o
yuki ka to mireba
sumiyoshi no
ake no tamagaki
iro mo kakurezu
When, upon the moonlight,
I looked and wondered if ‘twas snow,
At Sumiyoshi
The vermillion jewelled fences’
Hues were not concealed at all.

Lord Fujiwara no Kanetsuna
Junior Fifth Rank, Lower Grade
Without Office[2]
42

The Left’s ‘Moon, too, his light / Has softened’ and so forth seems a charming configuration, but it is unclear from this whether the moon is shining more gently within the sacred grounds. Although I do wonder about the sound of beginning with ‘I looked and wondered if ‘twas snow’ and abruptly ending with ‘Hues were not concealed at all’, the conception seems clearly expressed in the diction and so I make the Right the winner.


[1] Suruga gonkami jūgoige Fujiwara ason Asamune駿河権守従五位下藤原朝臣朝宗

[2] San’i jūgoige Fujiwara ason Kanetsuna 散位従五位下藤原朝臣懐綱

Sumiyoshi-sha uta’awase kaō ni-nen 09

Round Nine

Left

すみのえのこほりとみゆる月かげにとけやしぬらむかみのこころも

suminoe no
kōri to miyuru
tsukikage ni
toke ya shinuramu
kami no kokoro mo
At Suminoe
As ice appears
The moonlight, but
Is not, perhaps, melted
Even the deity’s heart?

Lord Fujiwara no Kinshige
Senior Fourth Rank, Lower Grade
Without Office[1]
17

Right (Win)

すみよしのおまへのきしのまつのはもかずかくれなくみゆる月かげ

sumiyoshi no
omae no kishi no
matsu no ha mo
kazu kakurenaku
miyuru tsukikage
At Sumiyoshi
On the coast before the shrine
Even the pine needles
Cannot hide their numbers,
Appearing in the moonlight.

Venerable Dharma Eye Enjitsu[2]
18

While in the Left ‘ice appears’ and ‘is not, perhaps, melted’ seem to have some kind of linkage, if we consider this as a Cathay-style poem saying ‘A chill night’s moon / Ice atop the swell’, then I would have preferred it to say ‘is, perhaps, bound’. An alternative version of this would, of course, be ‘A spring morn’s breeze / Ice on the eastern shore’ which could lead to ‘is not, perhaps, melted’, I think. The Right has ‘On the coast before the shrine / Even the pine needles’ and through this type of linkage expresses the brightness of the moon. While this type of smug-sounding expression also appeared in the round before last, the moon here does seem bright and so I can say that the Right wins.


[1] San’i shōyon’ige Fujiwara ason Kinshige 散位正四位下藤原朝臣公重

[2] Hōgen kashōi Enjitsu 法眼和尚位円実